Assjack: s/t
All in all, while it’s wonderful to finally hear how Assjack sounds on an album, this is more of a get-it-out-of-the-way effort.
All in all, while it’s wonderful to finally hear how Assjack sounds on an album, this is more of a get-it-out-of-the-way effort.
By Melissa Andrews In the twenty plus years that Skinny Puppy have been around, their Friday the thirteenth show at Toronto’s Phoenix Concert Theatre…
Like the album Lorentzian Lineshaper, this performance dates from 2006 – Hansel’s first live appearance on Canadian soil (or a Torontonian basement bar, if you want to be more precise). The set list delves further back, delivering a (then) eight-year-old acoustic ditty alongside tracks from 2003’s Respond_Violence and some newer material.
Night Electric Night is the third album from Swedish industrial band Deathstars. While there isn’t anything that really stands out to get the listener’s attention, there also isn’t anything particularly horrific about this album.
One band that has embraced traditional Japanese culture and used it to make something that is both new and exciting is the Osaka based quartet Birushanah. A band that has ties to the always-amazing Corrupted (bassist Sougyo spent some time in that band), Birushanah melds traditional Japanese percussion (done on metal instrumentation) with sludge metal that is similar to early Swans, Neurosis and (fellow Japanese) Zeni Geva