There’s an awesome sense of power and familiarity about Dereconstructed, and that’s only the first appealing thing about Lee Bains III and The Glory…
Like I said, there have been countless live albums recorded since ’75–but they’ve been mainly used as a means to squeeze more money out of a loyal fanbase when a certain band doesn’t have enough material to make it back into the studio. Rarely have we seen another band use a live recording to launch their career… until tonite.
Last nite was the first time I’d been to the Bovine Sex Club in nearly 10 months. I can’t say I really missed the…
As a die-hard sports fan, I’m often disappointed by the musical selection at sporting events. For every time that a stadium DJ might play “Run to the Hills” or “Hit the Lights,” there are at least a couple hundred renditions of “Don’t Stop Believing,” “We’re Not Gonna Take It,” “Blitzkrieg Bop” and whatever Nickelback’s latest single happens to be at the moment. I can’t remember the last time any of these songs actually fired me up. And when a football player’s idea of a metal band is Free Reign, well, let’s just say that I was starting to believe that good music and the gridiron don’t mix. But that was before I became tuned in to the greatness of Vince Lombarrdi.
Fortunately, it seems that quite a few bands that used to play that Bloor Street dive have moved on to the 460 now. A much better location, if you ask me–College and Spadina, literally right next to the El Mocambo. Mind you, there’s really no comparison between the ElMo and this hole in the wall, for better or for worse.
Great gig at the Silver Dollar Room last nite, featuring Tee Pee recording artists Naam, ELKS and Toronto’s own Quest For Fire. It’s not every day that Toronto sees a heavy psych triple bill of this magnitude.
This is a solid, dynamic, vintage rock ‘n roll record, 13 tracks spanning 57 minutes yet hardly a dull moment to be found.