Foo Fighters – s/t LP (reissue)
It feels strange to be discussing the twentieth anniversary of Foo Fighters‘ debut album now – just months after Universal Music Enterprises celebrated the…
It feels strange to be discussing the twentieth anniversary of Foo Fighters‘ debut album now – just months after Universal Music Enterprises celebrated the…
I figure I’m somewhat familiar with Fight Amp at this juncture. They’ve found their way to the bottom of a coupla sludge-metal touring packages…
Without intending to sound condescending, things are really starting to get interesting for Kinski now – on their seventh full-length album. For the sake…
This on-again, off-again Boston band featuring former members of Black Pyramid and Blue Aside is back on with their second album in the past…
Fair warning: Crooked Doors, the second full-length from Atlanta’s Royal Thunder, contains at least three songs that will burn into your unconsciousness with the…
From the very first time I heard Hunters‘ debut full length album, I was in love. The grainy, gritty street-punk-meets-grunge mixture produced by the…
When you realize you can’t fake it At a certain point in their careers, many musicians discover that something about their art has to…
By Bill Adams It might be a little late in the game to try and call what The Melvins have done on Tres Cabrones…
“Having seen the Melvins in previous three-piece variants over the years, this was my very-excited first time seeing this four-on-the-floor version that includes the Big Business guys, even though the band’s been touring in this incarnation since 2006. First, the stage set-up is key: Looking like one monstrous kit, the twin drumsets are dead center of the stage mirroring each other as centerpiece of the show. Yes, everybody is situated right up front and gets to act as frontman-in-his-own-right in Melvins Mark, what is it, now, Eight?”
Kyle Harcott reviews the July 5th show Vancouver performance by the Melvins and Totimoshi.
To put more flesh on that connective tissue, great care seems to have been taken by Cantrell & co. to draw a hard line connecting the AIC of old with that of Black Gives Way To Blue.