Goatwhore

Something Wicked This Way Comes: Watain/Goatwhore/Black Anvil @ The Opera House, Toronto, ON, December 4, 2010

“With Watain, there is no division between style and substance. Far from invoking the more alienating or shoe-gazing aspects of black metal, they invited the audience into their circle with their high-energy antics. They are, at their core, rock and roll at its extreme margins — noisy, nasty, problematic, maybe even unpredictable.”

Jonathan Smith reviews the December 4th Toronto performance by WATAIN, GOATWHORE and BLACK ANVIL at the Opera House.

Watain/ Goatwhore/ Black Anvil @ Rickshaw Theater, Vancouver BC, Nov 14, 2010

“Soon enough, all ceremonial flames were lit and out strode the dread beast Watain to perform their black mass. What a show. From the opening strains of “Malfeitor”, Watain held the Rickshaw rapt with satanic attention. Their reputation preceding them, the band completely revel in malevolence and black theatrics, from coating themselves in pig’s blood to utilizing flame as the major light source onstage.”

Kyle Harcott reviews the November 14th Vancouver debut by WATAIN. Also on the bill were Goatwhore, Black Anvil and local support from Galgamex.

3 Inches of Blood/ Goatwhore/ Burning the Day @ Mod Club, Toronto ON, May 13, 2010

There is something solid, straightforward, almost wholesome about 3 Inches of Blood’s brand of traditional heavy metal that is particularly satisfying. Cam Pipes sang about orcs and hammers while unleashing a series of throaty old-school wails—what was there not to love?

Natalie Zed reviews the May 13th Toronto performance by 3 Inches of Blood and Goatwhore at the Mod Club

Jay Gorania’s SXSW 2010 – Part 1

Austin’s 6th Street area is the performance location for much of the musical side of South by Southwest—a massive interactive, film and music conference and festival. Historically, unsigned bands came to get noticed by suit ’n tie record label reps; however as it has evolved, signed underground and mainstream bands have dominated showcases, and schmoozin’ and boozin’ is underway as backroom deals and negotiation unfolds. Hell, it’s gotten to the point that Metallica played last year.

Jay Gorania recaps his take on this year’s SXSW Music Festival. In this first entry, he reviews the Relapse Records showcase as well as sets by Torche, Goes Cube and Goatwhore.

Gorania: GOATWHORE is Great (Hellbound’s letter of the day is “G”)

Goatwhore is one of those bands that lights a fire under my ass. Though generally regarded as a black metal band, they’re actually so much more. There’s a rugged punk attitude, the dirge ’n sludge inherent to Louisiana metal bands is certainly present—offering some definite doom sensibilities—and never before has their thrash influence emerged as prominently as it has now with the release of Carving Out The Eyes of God, easily their career’s highlight thus far.