Gruesome – Savage Land
How much do you love Chuck Schuldiner’s legendary band Death? How much do you love that primal, teeth-rattlin’, gut-churning death metal that Chuck helped…
How much do you love Chuck Schuldiner’s legendary band Death? How much do you love that primal, teeth-rattlin’, gut-churning death metal that Chuck helped…
DEATH (Death to All Tour) with OBITUARY, MASSACRE, RIVERS OF NIHIL Phoenix Concert Theatre, Toronto November 27th, 2014 So, I know I’m not one…
The new self-released album from Winnipeg’s Psychotic Gardening puts a great many albums released on larger metal labels to shame. The musicianship is top-notch,…
Give a listen to Primeval Tryants Prevails, the new album by Sweden’s Hypertension
“Though revisiting Schuldiner’s musical legacy meant the sense of collective loss was strong, the sense of fellowship was stronger. In the end it was less for sadness than a cause for celebration.”
Laura Wiebe reviews the April 28th Toronto performance by Death To All and Anciients. Concert photography by Adam Wills.
The feel here is harkening back to the good old 90s, as they combine the brutality of Death and Gorguts and the precision of Pestilence. With the emphasis nowadays creating that classic old school Death metal sounds it is refreshing to hear a hybrid like Skeletal Remains.
In all, Gateways to Eternity makes for a strong introduction to The Solemn Curse, mixing elements of metal’s past and present, and providing hints to the band’s future direction.
“(Human) embodies much of metal’s concern for and obsession with material questions of existence. It remains special partly because of its historical importance for extreme metal, but also because it stands out as a prime example (out of many) that it is very possible to merge anger and aggression in extreme metal with a compassionate search for answers to social and philosophical questions.”
A revisitation and re-evaluation of the classic DEATH album Human by Jonathan Smith
Cognitive by Lopez and Co is an excellent debut album, full of intelligent and engaging song material which should thrill the Porcupine Tree, Tool, A Perfect Circle, Oceansize and Amplifier crowds.
If I had to sum up L’enfant Sauvage in a single word it would “solid”. The songwriting is top notch, the typical Gojira-groove is still very much intact and despite the occasional experimental moments it’s pretty much business as usual.