Tag: death metal

  • Postcards From Natalie Zed, Part 2

    Hellbound readers, remember Natalie Zed? Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized…

  • Unleashed – As Yggdrasil Trembles

    Unleashed’s tried and true formula is a simple yet very effective one: big, meaty old school death riffs, songs that engage audiences instead of challenge, and loads and loads of good, old fashioned Viking shtick, thicker and tackier than Mackintosh toffee. It’s been done to death to the point where Unleashed couldn’t be more predictable,…

  • Metal Blade CMW Showcase @ Bovine Sex Club, Toronto ON, March 12, 2010

    On Friday, March 12th, Metal Blade Records put on a showcase of their Canadian talent during Canadian Music Week in Toronto. The list of bands was exciting: Assassinate the Following, Toronto locals Starring Janet Leigh, Aeternam from Quebec, Titan (also from Toronto), Barn Burner and the almighty Bison B.C. This was looking like a good…

  • Darkthrone – Circle the Wagons

    Not without the requisite controversy among the black-metal community, once again it appears Darkthrone is determined to carve their name in the big stone book of metal/punk crossover, as another of those rare-treat bands who can appeal to both the ‘airies and the baldies at the same time. There’s just that matter of their tr00-kvlt…

  • Six Feet Under – Graveyard Classics III

    The concept of the covers album is a risky one. Nothing wrong with slapping one on as a B-side or extra track. But to propose a whole album of covers often begs the question, “What? Have they run out of their own material already?” When you decide to make the cover album an ongoing series,…

  • Vasaeleth – Crypt Born & Tethered to Ruin

    The concept is simple, the execution unyielding, the principle uncompromising. Concept, execution, and principle may be summed up quite simply: death metal. Welcome to the macabre underworld of Vasaeleth. To pinch a famous phrase: abandon hope all ye who enter. Tate Bengston reviews the Profound Lore debut album by Texan death metal duo Vasaeleth.

  • Postcards From Natalie Zed, Part 1

    Hellbound readers, please welcome aboard Natalie Zed! Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did…

  • Nile – Those Whom the Gods Detest

    Nile has proved that they really have their shit together, and you can hear this in the band’s strength in creativity.

  • Eluveitie – Everything Remains As It Never Was

    Everything Remains As It Never Was is the fourth album from Swiss folk metallers Eluveitie. Its title, considering the band’s place in the growing mythology of folk and pagan metal, is suggestively profound. It’s a shame, then, that the music on this new offering just isn’t as enjoyable well as their previous work.

  • Annotations Of An Autopsy – The Reign Of Darkness

    The Reign Of Darkness incorporates all of death metal’s signature and staple elements: pummeling drums, guttural vocals and riff mayhem. What it doesn’t have is emotion or feeling that sticks out like a sore thumb.