Primitive Man – Home is Where the Hatred is
One needs not listen to a note of this EP to know that it’s gonna be bleak—the artwork is about *thisclose* to getting Relapse…
One needs not listen to a note of this EP to know that it’s gonna be bleak—the artwork is about *thisclose* to getting Relapse…
Not too familiar with this Portland outfit, but Atriarch have been described as a head-on collision between post-sludge and new wave, which seemed intriguing…
You know you’ve been listening to this shit for a while when you start seeing bands named after some of your favourite albums. Y’know,…
If you guessed, judging by their name, that Doomeastvan was a Vancouver doom-metal band… well, you’d only be half-right. The artwork on this album screams…
I namedropped the new Lord Mantis record in my Coffinworm review, so I figured I should probably say a few words about it. Oppressive, abrasive, blacked…
By Gruesome Greg Album number four from this female-fronted doom troop can be pretty much divided into two categories: the 10-minute epics and the…
By Gruesome Greg Both of these bands are certainly no stranger to splits—this is Noothgrush’s 11th and the 16th(!) for Coffins. And while they’ve shared sides…
By Gruesome Greg Bit of an interesting back story to this death-doom unit, mostly from Winnipeg, but with a Swedish singer they’ve never actually…
Hellbound Metal: ”
While this probably takes a back seat to their countrymen in Church of Misery for me, just the fact that this Japanese death-doom squad has a new album out is saying something in itself—it’s been a full five years since their last full-length, albeit not for a lack of splits in the interim.”
Right off the bat, you can tell this is one heavy vegetable; slow, punishing doomy riffs with deep-throated death metal growls. Winter is a definite reference here, albeit this record sounds thicker and sludgier, presumably because it wasn’t recorded in a basement.