FOR THE LOVE OF METAL
This marks the final part of our coverage of the 70000 TONS OF CRUISE festival, recapping the activities of day four on the boat. This was a full day at sea with music from early morning until the late hours of the evening.
In our fourth installment, Adrien, Kevin and Sean review live sets by SANCTUARY, VOIVOD, RAVEN, DEATH ANGEL, TESTAMENT and more. Live photos by Albert Mansour.
Day three of our trip started out with the arrival at our boat’s destination: Cozumel, Mexico. It was a day off from music and a chance to go onshore in Mexico to check out the local surroundings and shops.
For our third installment, Adrien, Kevin and Sean describe the day spent in Mexico before another full night of musical performances onboard, including sets by Epica, Exodus, Iced Earth, Marduk, Saxon and more.
Last week the inaugural 70000 TONS OF METAL cruise sailed from Miami, FL to Cozumel, Mexico and back and featured live performances by forty-two metal bands. Hellbound.ca was lucky enough to have been able to send four of its contributors on the cruise and here is what they had to say about the performances that took place on Day number two.
Live reviews by Adrien Begrand, Albert Mansour, Kevin Stewart-Panko and Sean Palmerston. All photography by Albert Mansour unless listed otherwise.
“I think the biggest thing that has helped with the resurgence in classic power/speed metal is probably blogs and the internet. Plus, there’s so much crappy music out there that it seems only the classic metal/power/speed bands are worth listening to since they still stand the test of time.”
Kevin Stewart-Panko in conversation with HOLY GRAIL vocalist James Paul Luna about their debut album, Crisis In Utopia, set for release October 26th on Prosthetic Records
The production and mix are crystal clear but there is a condensed and compressed feel to the overall sound. Killing Season had one of the best productions I’d heard in many years, organic and vibrant, and I think Relentless Retribution would have benefited from that same production. As would any record for that matter.
“On this occasion, however, while I certainly felt overindulged, I enjoyed the sonic gluttony. Whereas Death Angel left me feeling like the insides of my ears had been coated in burning pitch, Soilwork brought a delicious coolness to the show. Their bluesy, melodic death metal proved to be an excellent foil to Death Angel’s performance. These bands work exceedingly well together in this regard; the tour is well curated. Soilwork have matured well as a band, retaining all their punch and aggressiveness while becoming smoother and more balanced in their overall sound.”
Hellbound readers, we’re sure that by now you are all familiar with our Natalie Zed, right? Natalie was our big grand prize winner way back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?
So, after a long layoff (sorry NZ!), here is Natalie’s fourth installment (reviews #31 – 40 for those keeping stats at home) in what Hellbound likes to refer to as “Postcards From Natalie Zed”…
Hellbound readers, remember Natalie Zed? Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?
So, without further adieu, here is Natalie’s second installment in what Hellbound likes to refer to as “Postcards From Natalie Zed”…
The band’s energy is admirable, though, and as flawed as this album is, it’s still nice to hear them performing with passion once again.
Germany is famous for its beer drinking, festival loving rabid heavy metal fans. This is where Bay Area thrash giants Death Angel filmed their very first live DVD showcasing two energetic sets in which the band perform their most mosh-worthy classics.