Celtic Frost

The 11th Hour – Lacrima Mortis

Album number two from The 11th Hour is darker and more bombastic than their debut. Throughout the album the two interweaving vocal styles add a lot of contrast, meaning the epic-length tracks never fall flat. Lacrima Mortis’ collection of harrowing tales is cloaked in a godforsaken veneer, and it’s a credit to Warby’s talents and songwriting ability that he manages to preserve that requiem-like atmosphere throughout.

Opeth–Heritage

As it’s still unforeseen where Opeth are heading to next, Heritage stands out as an eccentric anomaly in their catalogue. But this doesn’t diminish the quality of the album one bit. Heritage is a fantastic album, although it’s not without its flaws. However, those flaws have nothing to do with Opeth’s decision to become preoccupied with prog. They are simply slight musical missteps, and who hasn’t stumbled when finding a new path?

Boris – Heavy Rocks / Attention Please

“Boris is always at its best and most exciting the more adventurous they get, and the two new records, Heavy Rocks and Attention Please, are just that, as both see drummer Atsuo, guitarist Wata, and bassist Takeshi embrace their accessible side in ways nobody, especially those on the metal side of the fence, could possibly have imagined.”

Adrien Begrand reviews the two new studio albums by Japan’s BORIS, Heavy Rocks and Attention Please, set for release May 24th on Sargent House.

Hellbound.ca’s TOP 20 ALBUMS OF 2010, Part Two

We asked all of the contributing writers here at Hellbound.ca to submit their Top 10 albums of 2010, which we then compiled into a master list, assigning points to all their choices (10 points for #1, down to 1 point for #10). After tabulating the results, we have created Hellbound.ca’s Top 20 Albums of 2010. For part two of our continuing series, here is albums #15 through 11…