“However long and difficult the journey, Woods of Ypres give themselves no breaks and indulge in no excuses. Every single member of the band poured all the heart and energy they had into their performance at the Blue Moon, led by the apparently indefatigable David Gold. They are incredibly generous performers in this regard, never giving less than their physical and emotional all on stage. Seeing them live remains, for me, a unique audience experience in this regard: no matter how much I put in, I can never seem to quite keep up with how much I receive from this band.”
I’m not a huge fan of bands doing albums in their entirety, but when the album is freaking Moving Pictures, the band is Rush, and it only makes up about a third of the show, how can you say no?
Sean Palmerston recaps the July 13th hometown performance of RUSH at Toronto’s Molson Canadian Amphitheatre as part of their 2010 Time Machine North American tour. Concert photos by Adam Wills.
The heavy metal road trip is a time-honoured tradition among metal heads. Making the trip from Calgary to Edmonton may not be the most grueling of drives, but as soon as you leave your city to see a band, your expectations instantly become higher for the experience to come. Then, add in the fact that it’s Iron Maiden that you’re seeing, and the expectations go through the roof.
Hello and welcome back to our newest running series, the Hellbound Handshake Clip of the Week! For our third installment, we are celebrating Canada’s birthday that happened yesterday (Happy Birthday Canada!) with a clip of a Canadian band doing their thing at Maryland Deathfest 2010.
This week’s clip is Winnipeg MB’s PUTRESCENCE, doing their filthy Carcass-inspired take at death/grind with a sweet little ditty entitled “Moonlight Illuminates Limbs Forced Into Impossible Directions”, taken from their 2008 Sledgehammer Holocaust.
Much like we did last year with Flight 666 when it was released, we asked our faithful HELLBOUND contributors who have already had a chance to view Rush: Beyond The Lighted Stage to write us a review of their viewing experience. Here is a compendium of all the submitted reviews, listed alphabetically by the last name of the writer. We hope you enjoy these individual viewpoints on this super cool documentary film….
The songs, stripped lean, take on a new sense of heavy immediacy. Intensely focused, David Gold kept the banter minimal, briefly introducing songs, but instead let the music speak on his behalf. And it was that intensity that made Woods of Ypres so amazing to watch live. They’re a band that pour their heart and soul into every endeavour –recorded and live- and that makes all the difference.
Kyle Harcott reviews the June 26th concert by Woods Of Ypres at the Biltmore Cabaret in Vancouver, BC
Hellbound readers, we’re sure that by now you are all familiar with our Natalie Zed, right? Natalie was our big grand prize winner way back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?
So, after a long layoff (sorry NZ!), here is Natalie’s fourth installment (reviews #31 – 40 for those keeping stats at home) in what Hellbound likes to refer to as “Postcards From Natalie Zed”…
The beastly grit of doom. Grindcore’s fiery onslaught. Black metal’s confrontational excess. The jarring obtuseness of tech. Metal is founded on explosive, aggressive and often combative attitudes. Still, just when one feels remotely comfortable—possibly slightly expectant—as to what the genre’s next twist will be, something so dominant, furious and volatile comes along that it redefines the parameters of what makes a band extreme.
Keith Carman talks with Toronto’s Vilipend about their multifaceted and dangerous approach to music.
The Return of the Witch is a solid piece of work. It’s an album that is upfront about what its intentions are.
The great thing about fests like MDF is that the metal is simply overflowing. The bad thing about fests like MDF is that the metal is simply overflowing. If it’s sitting down to catch your breath, or grabbing a drink or a bite to eat, there are plenty of reasons causing one to miss one or too many killer bands.