Palace in Thunderland – In the Afterglow of Unity
This on-again, off-again Boston band featuring former members of Black Pyramid and Blue Aside is back on with their second album in the past…
This on-again, off-again Boston band featuring former members of Black Pyramid and Blue Aside is back on with their second album in the past…
Hellbound Metal: “Uplifting post-sludge!? I think I just coined a new sub-genre…”
It’s no secret that I dug the shit outta the first Pyramid record (to put it not-so-mildly), so in some ways, this is kinda what I’d hoped BP II would be. But don’t get me wrong, these guys aren’t some second-rate Black Pyramid imitators, by any means. There is only one Blue Aside, and they are fully deserving of your respect and admiration. You should really buy this record!
But is it a step forward, or backwards? That all depends on your perception. I, for one, don’t dig this as much as the first album, and am certainly curious as to which direction the band will take with a new frontman/axeman. One thing is certain, though. Black Pyramid III won’t be a blind buy for me…
Highly recommended for fans of Sleep, YOB, Black Pyramid, and any other band with a legitimate claim in “stoner doom” territory.
If you consider Opus Eponymous to be a pop album, you probably think Yes and Genesis are pop bands, too. Erm, wait a minnit. Well, I can’t say I see Ghost going down that route, anyways. After all, it won’t be the 80’s for another 69 years…
Whereas other sludge bands who deal in cosmic themes, like Zoroaster and The Atlas Moth, use harsh black-metal vocals to get their message across, Abrams’ warm, clean tones give Blue Aside a big boost. Their deftly executed blending of sludgy doom grooves with spacy guitar (and occasional synth) passages provides the missing link between Sleep and Hawkwind, YOB and Captain Beyond, Sons of OTIS and Secret Saucer… You get the idea.
Easily the most coveted album amongst my shipment of MeteorCity new releases. Black Pyramid’s self-titled was one of my most anticipated albums of ’09, and easily my most eagerly awaited debut since the Blood Ceremony record that came out on Rise Above last year.