Ecorche – Deep in the Ground
It seems like almost every time you turn around something is coming out of Philly. This time it’s blackened industrialists Écorché and their sophomore…
It seems like almost every time you turn around something is coming out of Philly. This time it’s blackened industrialists Écorché and their sophomore…
I really dug this St. Louis outfit’s last record, A Black Sea, which came out late in 2013. But seeing as it was a…
The first thing you’ll notice about Kingdom Venom I by St. Louis based symphonic black metallers Xaemora is their logo. It’s Cthulu-esque appearance translates…
So it’s probably no secret that we are fans of Mike Scheidt here at Hellbound. Searching for what we had to say about the…
Temple of Baal is an impeccable four piece who seemingly rediscovered themselves. Their last effort Verses of Fire was a bit lacking in areas…
It is releases like this that are the reason I’ve dedicated so much time to this genre. It comes as no surprise that the…
Hammer of the Witches has the best Cradle of Filth cover since that of Cruelty and the Beast, which featured the lovely Luisa Morando…
I don’t often judge an album by its cover, but in the case of A Feast of Virgin Souls, I was more than a…
I’m not afraid to admit that Setter of Unseen Snares serves as my introduction to UK black metal entity Caïna (as far as I…
Enslaved, Yob, Ecstatic Vision and Kosmograd Live at the Opera House, Toronto, Ontario, March 19th, 2015 A show like this was by most in the…