black metal

VREID / KAMPFAR / NECRONOMICON/ SCYTHIA @ Rickshaw Theatre, Vancouver BC, September 5, 2011

“Luckily, it was Kampfar who delivered that adrenaline-shot of what I needed. Taking to the stage with ‘Mare’, from their most recent album of the same name, the band proceeded to blow the doors off with an unrelenting set that not only roared far louder and rawer than they do on record, but also proceeded to garner them the largest crowd of the night. The pagan and folk influences I’d read so much about were barely there, foregone in favor of a very straight-to-the-jugular approach.”

Live review by Kyle Harcott; Concert photography by Ted Reckoning

Children of Bodom/Devin Townsend Project/Septicflesh/Obscura @ Odeon, Saskatoon, SK, July 3, 2011

“Children of Bodom has done a remarkable job building a very loyal fanbase in Canada, and it’s gotten to the point where the band dramatically outsells the United States per capita north of the border. They are loved here, and as usual their fourth performance in Saskatchewan in four years was met with great enthusiasm.”

Adrien Begrand reviews the July 3rd Saskatoon performance by Children of Bodom, Devin Townsend Project, Septicflesh and Obscura at the Odeon. Photos by Darcy Begrand.

Aenaon – Cendres Et Sang

With their latest signing in Aenaon, Code666 continues to cement its name as the vanguard of forward-thinking blackmetal. Stellar release after stellar release, the label has proven its cutting-edge mettle time and again, and Cendres Et Sang is only further proof of the label’s impeccable taste.

Ravencult – Morbid Blood

Morbid Blood, as unrepentantly familiar as it sounds, is regardless a formidable slab of raging blackened thrash that makes up for its obvious deficit in originality with a vehement overkill-passion that is undeniable.

Sylvus: All For One

Sylvus are a Toronto, ON-based band that have undergone significant transformations. After going on hiatus for a year, they returned to the stage with a completely new aesthetic, songs and bassist. They play black metal with tinges of pagan folk and almost otherworldly hints of psychedelic noise. Their music is by turns thunderous, tender and startling; it also happens to be produced by some lovely human beings.

Natalie Zed in conversation with Toronto blackened pagan metal quartet Sylvus.

Shibboleth – S/T

In Sam Dunn’s debut documentary, Metal: A Headbanger’s Journey, the anthropologist describes his hometown of Victoria, British Columbia as the land of the “newly wed and nearly dead”, an anecdote that resonates with the city’s primitive black metal practitioners Shibboleth.