Cathedral – In Memoriam
Cathedral are one of the greatest heavy metal bands of all time. Their influence is far, far beyond any commercial success they have achieved….
Bill Steer
Still going down well: interview with Carcass guitarist Bill Steer
During the time Carcass has been on my radar, the band — and metalheads’ perception of what Carcass signifies — has passed through several…
HELLBOUND.CA’s TOP 10 METAL ALBUMS OF 2013
Hellbound’s writers compared notes on the top albums of 2013, and though we didn’t always agree, we did manage to identify some areas of collective appreciation. And so… (drum roll) Here are the best ten metal albums of 2013, according to Hellbound. (The math never lies!)
The End Records – The Music For Nations Reissues Part One
Recently The End Records acquired the rights to the catalogue of Music For Nations, an excellent British label which closed its doors in 2004. When the label folded into Zomba Music, which was owned by BMG which is now owned by Universal, many of the ‘smaller’ releases were discontinued or lost. The End Records has jumped in and brought many of these releases back to North America, some for the first time as domestic releases. Since there are so many of these, I’m going to break them up into a few different articles (hope you don’t mind) and keep the reviews relatively short.
Review roundup by Jason Wellwood
Paul Speckmann: The Hellbound Interview
Paul Speckmann has been playing death metal longer than many fans of the genre have been walking the planet. The Chicago native started his long-running project Master in 1983. He’s also played with other bands including War Cry, Abominator and the Czech death metal band Krabathor. Dark Descent Records recently reissued his early band Death Strike’s demo Fuckin’ Death. Speckmann recently talked to Hellbound’s Justin M. Norton about the early days of Chicago death metal and his new life in Eastern Europe from his home in the Czech Republic.