Tag: Bill Adams
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Jello Biafra and the Guantanamo School of Medicine – White People and the Damage Done
By Bill Adams It took a couple of formative years and releases to really get settled and established, but Jello Biafra and the Guantanamo School of Medicine has found its rhythm and released a new, instantly classic album in White People and the Damage Done. Those readers who have heard about this album but haven’t…
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Monster Truck – Furiosity
Hellbound Metal: “Furiosity represents a necessary change in mainstream rock in that it is loud, horny and has a few sparks of chaos about it. There is nothing contrived about, it is a genuine, pigheaded stab against mediocrity that is just screaming to be heard. Go buy it now and play it loud – it…
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Queens Of The Stone Age – …Like Clockwork
Hellbound Metal: “They may have had to wait six years, but …Like Clockwork is precisely the sort of record that longtime QOTSA fans have been hoping for.”
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Iggy and The Stooges – Ready To Die
Hellbound Metal: “Some may curse and call that contention a soft option, but wasn’t the dichotomy that Iggy and The Stooges – and The Stooges before them – always straddled? Weren’t they they band who rocked like hell, even as they were shooting themselves in the foot, rolling in broken glass or setting themselves on…
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Rob Zombie – Venomous Rat Regeneration Vendor
Hellbound Metal: If listeners were uncertain of what to expect from Rob Zombie now, seven years after his music began to struggle and movies clearly began to take up more of his time,the singer spells out what they’re going to get pretty clearly from the moment “Teenage Nosferatu Pussy” explodes to open Venomous Rat Regeneration…
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Bad Religion – True North
while the albums that Bad Religion has released since returning to Epitaph in 2002 have been consistently improving, True North marks the high point of a decade’s worth of work. This album is a true classic which marks a pinnacle of powers in Bad Religion and upholds everything that is best about the band.
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Judas Priest – Screaming For Vengeance (30th Anniversary Edition)
In listening to the reissue of Screaming For Vengeance, it suddenly becomes clear that, as “of its time” the production applied to the record was (the effects on “Electric Eye” – all the clanking reverb and robotic imagery – and the glammy metal sheen of “You’ve Got Another Thing Coming” are good examples), the record…