Anathema – Internal Landscapes 2008-2018
In 2008, Anathema were one of the first bands to sign to progressive label KScope. Which makes sense as their music has constantly progressed,…
In 2008, Anathema were one of the first bands to sign to progressive label KScope. Which makes sense as their music has constantly progressed,…
The last time England’s atmospheric progressive rockers Anathema came to Toronto in 2013, visa issues cruelly skimmed the line up to just frontman Vincent…
How did we come up with our collective top 20 metal albums of the year? Our contributors sent in their lists, we did a little…
Hellbound’s 2014 year-end coverage continues this week with the next installment in our collective top 20. Part two features the albums that ranked in…
In February 2014, Adam Wills and Laura Wiebe flew to Miami, embarked on a cruise ship, and indulged in four days’ worth of live progressive rock…
I cannot speak for the whole audience attending Wednesday’s show, but from where I was standing that night there was a palpable sense of excitement in the minutes leading up to Anathema’s arrival on stage. For many, it was finally the long-awaited opportunity to see them deliver a full-band performance in Toronto. They did not disappoint.
Review by Jonathan Smith; Concert Photos by Adam Wills
Back again by popular demand!
You keep asking when it’s coming back, so here it is. Here is what the staff of Hellbound.ca has been enjoying during the months of July and August 2013.
As promised last week, here are the Top 10 metal albums of 2012 according to the writers of Hellbound.ca. You will notice that, in comparison to our previously published Top 10 Canadian albums of 2012 list, a few Canadian artists actually ended up charting higher here than on the Canuck top 10. The reason for this is simply because we had more writers submit top 10 lists here than did for the Canadian list.
Collected, compiled and edited by Sean Palmerston
“I first saw Musk Ox perform in southern Ontario in the late spring of 2009. I was struck by the contrast between ambient acoustic music and a vibe that is perfectly resonate with that of many progressive, folk, and black metal bands. Musk Ox inhabits a place within two different styles of music, and gives us cause to appreciate both and ask questions about the relationship between them. My interactions with Nathanaël Larochette have always been easy due to his being such a friendly and approachable person, and I am thrilled that he took the time to answer my questions.”
Interview by Jonathan Millard-Smith
The melancholic musings of Renkse and Co aren’t as convincing as on the three previous albums I’m afraid. Dead End Kings certainly has its moments of greatness, but for some reason I expected a stronger and more consistent album.