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amon amarth

Bringing New Energy Back to the Barren Lands: An Interview With Ihsahn

“I like the situation I’m in now with the solo thing. With this last album in the trilogy, it’s kind of a natural development from angL and The Adversary. I think they all kind of tie in together, but After is not the most logical step from the two other albums. It’s so different that it points in another direction and leaves the next one a little open ended.”

On the eve of the release of his new album After, Jonathan Smith speaks to former Emperor front man Ihsahn about his burgeoning solo career, the progressive nature it has taken and the surprising use of saxophone on his latest solo effort.

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Bacon, Eggs and Sacrilege: Toronto’s Most Blasphemous Brunch

What do you get when you mix home-style, hearty cooking with extreme music? Kensington Market’s very own Black Metal Brunch; your weekly serving of bacon, eggs, and a side of Venom’s Welcome To Hell.

Ola Mazzuca’s newest entry into the Blasphemous Blog goes into her love for Toronto’s best Sunday brunch, the long-standing Black Metal Brunch at Graffiti’s in Kensington Market.

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Hatebreed: Interview With Jamey Jasta

He was the host of Headbangers Ball, he owns a few businesses, and he’s in two successful touring bands. On face value, one might think Jamey Jasta would have little to complain about, and even less angst to vent through hardcore music. But such criticism loses grounding when taking into consideration that he’s “turning negatives into positives,” as he puts it, by attempting to transfer difficult childhood experience, as well as recent tragedy, into song. Calling from Pittsburgh on the second-to-last night of the Decimation of the Nation tour (featuring Chimaira, Winds of Plague, Dying Fetus and Toxic Holocaust), Jamey shoots the shit with Hellbound’s Jay H. Gorania about Hatebreed’s new, self-titled release—easily the most diverse and dynamic output of the band’s career.

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God Dethroned: Passiondale

The key to decoding the motivations behind God Dethroned’s latest album is its title: Passiondale is a concept album about a small site of tremendous struggle in World War One. Unsurprisingly, the subject matter works with the death metal ferocity running through most of the record

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