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Pallbearer - Sorrow and Extinction cover art

Best of the Best – A Tally of the Year’s Best Albums

I’m not sure exactly what this list means – is this list any better than any of the individual lists? Probably not. Every list that comes out has their own personality, has albums that may be less obvious. But perhaps what this list does show is what the collective metal media thought was the “can’t miss” albums this year.

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A Metal Blade quartet

Metal Blade celebrates its 30th anniversary in 2012. While the label has already released a plethora of classic and genre-defining albums, and fostered and supported our dearly loved heavy metal community, it remains, to this day, as active and energetic as ever. What the metal realm would have looked like without Metal Blade’s steely presence over the past three decades is a frightening thought indeed.

To help celebrate this, here are four new reviews of new Metal Blade titles by our New Zealand based writer Craig Haze, who tackles the new releases by Angel Witch, Exhumer, Ram and OSI

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Soulfly – Enslaved

Soulfly may not be the cutting edge band it once was, but it’s still a relevant bulwark of power in today’s metal scene. Enslaved is a poignant celebration of Max Cavalera’s musical vision and his longevity.

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Today Is The Day European Tour Diary 2011, Part One

In April, Jay H. Gorania headed to Europe to flog merchandise for TODAY IS THE DAY on their tour. Now that he’s back and had time to get used to regular life again, Mr. Gorania has written a tour diary for Hellbound.ca. Here is his first entry from the tour.

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Exhumed – All Guts, No Glory

In perfect grind form, the pace of the album is relentless and unforgiving. Riff after riff after blast after scream after roar, it constantly maintains tension and refreshes itself, never failing prey to monotony.

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Justin Pearson: The Hellbound Interview

A striking passage of the Bad Religion song “Latch Key Kids” reads: “In this world today there ain’t nobody to thank/Just blame it on the kids and toss ’em into the tank.” Those lyrics seem applicable to a young kid growing up in the 1980s named Justin Pearson, best known as the bug-suited vocalist and bassist for the grind/noise/hardcore band The Locust.

Hellbound’s Justin M. Norton speaks with Pearson about his upcoming book, “From The Graveyard Of The Arousal Industry.”

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