FOR THE LOVE OF METAL
Ambitious and progressive, razor-raw and unrelenting, the debut from Cape Town’s WILDERNESSKING is passionate and exciting, and I’d daresay an early frontrunner in my book for one of the best of the year.
Read MoreWe might have been missing one of the headliners, but all bands were so good on this night that no one, including yours truly, could care less. This was three hours of death metal at its finest.
Read MoreTech death fans, Entity‘s your feel-good hit of the summer.
Read More“We have no contemporaries that are alive, let alone making music for the right reasons. We’re the last ones of a certain era, really, from the second wave of punk. And our career’s been very different insofar as I think the most meaningful and exciting and perhaps vital part of our career has been from the middle to this point. The velocity of each album increases, and now with the original lineup back… wow, it’s great. But we’ve never stopped putting out records. And that’s it. Other bands reform, we haven’t, we just keep going.”
Kyle Harcott speaks to Killing Joke mainman Jaz Coleman on the eve of the release of their newest album Absolute Dissent.
Read MoreLike many pioneers, Hellhammer took their lumps from everyone, including its own members. They were hobbled by geography and underdeveloped talent, but they built a great mystique around themselves as they toiled to spread their malodorous gospel, only to be sent back to the drawing board after every recording session and demo release. This unlikely but glorious book celebrates their restless existence and enduring influence. It all goes to prove that history—this little slice of history, anyway—is written by the victors.
Rob Hughes reviews the new Hellhammer photo/history book, Only Death Is Real, released recently by Bazillion Points.
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