Rotting Christ: Aealo
Aealo is the best Rotting Christ album since Triarchy of the Lost Lovers. Dive deep, and discover for yourself.
Aealo is the best Rotting Christ album since Triarchy of the Lost Lovers. Dive deep, and discover for yourself.
Forged from the combative live-in-the-studio atmosphere of Kreator’s Pleasure To Kill coupled with the soupy low end of Obituary yet new enough to elicit comparison to fellow evil-doers Behemoth, The Final Conflict is as furious as it is delightfully offensive.
Forever is the World is the latest offering from Norway’s Theatre of Tragedy.
From the bleak opening riffs to the lingering saxophone notes that close it, After is a fascinating listen that gets better every time it’s played.
With a sound rooted more in earlier bands like Bathory and Venom rather than later Norwegian cuts, both Nifelheim and Devil’s Force are blasts of thrashy black metal that stick to a plan and rarely deviate.
Despite Nazxul’s more arid southern hemisphere imagery, Iconoclast has a traditional but ferocious sound that is anything but dry.
Probably their best album since Mutter, these crazed Germans storm back with a riff-infested grinding metal attack.
Thick and vicious, uncompromising and relentless, Unrepentant is a searing victory not only for eight year old grind/death quintet Thy Flesh Consumed but also for their respective genre.
With a sound strongly reminiscent of Emperor’s Wrath of the Tyrant and low-fi musicianship of the early black metal scene, Pestilential Shadows prove that their third full-length release is a reasonable listen.
Mr. Death will appeal to old school death metal follows of Dismember, Grave and Entombed and is definitely worth searching out.