Reviews – Audio

Postcards from NatalieZed: Set #6!

Hellbound readers, we’re sure that by now you are all familiar with our Natalie Zed, right? Natalie was our big grand prize winner way back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?

Well, with her last installment (reviews #41 – 48 for those keeping stats at home) Ms Zed actually finished up her prize and has now started to review newer CDs. So, without further adieu here is part 6 in what Hellbound likes to refer to as “Postcards From Natalie Zed”…

Invasion – Orchestrated Kill Maneuver

I’m not familiar with Invasion but I want to be! This album is pulverizing right out of the gate. Sonically, it’s intense and to a degree, even a little painful! Intercut with news reports from WWII, Orchestrated Kill Maneuver is brutal and unrelenting.

James LaBrie – Static Impulse

Static Impulse was definitely crafted very carefully; there is an attention to detail that many bands these days (and more so artists putting out solo records to stretch from their band a little) just don’t get. Again, the album sounds like it was recorded by a band, the song writing is excellent and all the musicians put in a terrific performance. Labrie and Guillory have definitely outdone themselves this time.

Baptized In Blood – s/t

The first record gave me a lot of reasons to listen to it time and again. This new record gives me reason to let it collect dust. The best songs here are from the indie release, so there’s no need to spin the new one if you own the first album, and if you don’t I suggest you track it down and buy it.

Melechesh – The Epigenesis

One of the roles of music is to transport the listener to another place. On Epigenesis you could literally pick any track, close your eyes and be transported to the Mediterranean/Middle East just by subtle musical nuance.

Neverland – ophidia

For my money, I’d pass on this record. It isn’t awful but it’s really isn’t very good either. The pieces are in place for a good record but they need to find a much better guitar tone, help the singer find his niche (or write in a more comfortable key) and reign in the keyboardist.