Stephen Pearcy – Under My Skin
By Jason Wellwood First off, the world does NOT need another version of ‘Round and Round’. Yes, this version features The Donnas (who I…
By Jason Wellwood First off, the world does NOT need another version of ‘Round and Round’. Yes, this version features The Donnas (who I…
What makes The Devil’s Blood successful is its masterful gift for restraint. The band knows how to hold back, painting a partial musical portrait consisting solely of shadows and allowing the listener to infer the details using that most horrifying of artists: the imagination.
Tate Bengston gives us a great review of the latest output from traditional metallers, The Devil’s Blood.
By Gruesome Greg Sonic Medusa is a brand-new quartet of heavy rock veterans like Greg Rogers of The Obsessed and Tom Five, who played…
By Cara Cross I was introduced to Victoria B.C.’s Northern a couple weeks ago when they opened for Wolves in the Throne Room. The…
By Jason Wellwood This is a ‘catchup’ album of sorts for those of us who didn’t pick up the EP’s released in 2001, 2006…
By Gruesome Greg Despite the most pretentious band bio I’ve seen in a little while, I decided to check out NYC’s God Ox. These…
There are always going to be purists who cry foul when a band re-records a favourite song but, really, it’s the band’s song to do with as they will. On Magic & Mayhem though, I don’t see many fans crying foul, in fact, I think the opposite is true. This album shines from top to almost bottom.
Essentially, while Vilipend has a pristine track record thanks to creative dexterity and oppressive heaviness fuelled by overt originality, when experiencing the vitriol, embittered passion and tormented rage of an act such as this through a live album, one really feels the self-abuse, throat-tearing screams and constricting viciousness.
Rhapsody of Fire have spared no expense on this EP, treating it with the same amount of care and detail that they give their full length releases: great story line, fully orchestrated songs, huge production, choirs, blazing guitars, and, of course, Christopher Lee’s voice.
A little on the short side, and lacking in any memorable tunes, Jason… The Dragon is only somewhat satisfying. That being said, I won’t object to another Weedeater tour, provided that it stops somewhere close by.