FOR THE LOVE OF METAL
Album number two from The 11th Hour is darker and more bombastic than their debut. Throughout the album the two interweaving vocal styles add a lot of contrast, meaning the epic-length tracks never fall flat. Lacrima Mortis’ collection of harrowing tales is cloaked in a godforsaken veneer, and it’s a credit to Warby’s talents and songwriting ability that he manages to preserve that requiem-like atmosphere throughout.
Misery Wizard is the first full-length release from this Rhode Island trio, though it’s clear from the first note that they’ve taken a few classes at the University of Doom Metal.
Beyond All Reckoning is a solid album throughout, and the fact that you can’t completely pin down the sound of Aggressor is exactly what makes them so good. This is an album best experienced beginning to end, though you couldn’t go wrong picking any one track to listen to. For my money, that’s the mark of a great album.
The words “retro” and “throwback” get used a lot when describing music, especially in the rock and metal realm. In the case of Christian Mistress it goes way beyond that, sonically speaking anyway. Every single track on Possession is steeped in classic metal awesomeness.
Ambitious and progressive, razor-raw and unrelenting, the debut from Cape Town’s WILDERNESSKING is passionate and exciting, and I’d daresay an early frontrunner in my book for one of the best of the year.
Alas, I’m not sure that this record is all that different from Angels of Darkness, Demons of Light I, but I’m not quite feeling this one as much. I shall have to revisit the original, perhaps.
Catching up on some of the late 2011 releases that nearly went under the radar, Craig Haze reviews a triptych of death metal albums, including the latest from Horrendous, Ominous Crucifix and Vore.
Right from the beginning though it is obvious that Joe Thrasher not only want to make you bang your head, they want you to remember these songs for a long time.
Though it does not quite possess the potent and urgent vibe of Altar of Plagues’ Mammal, Social Disservices takes second place in my personal albums of the year. Hopefully it will receive even more recognition in 2012.
The first and most obvious question you’re probably asking yourself after seeing that Hellbound is reviewing the Fat Wreck re-issues of the first five albums by these Goleta, California’s melodi-punk heroes is whether or not the version we’re reviewing here is the box-set edition or simply the individual releases reviewed as a collective. I believe what Grand Wizard Palmerston has provided here are the individual releases, seeing as they are strewn across my desk and there’s no box provided that might maintain any amount of order in the slightest…