Category: Reviews
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Spaceslug – Eye the Tide
Only the most seasoned stoner rockers might remember Palm Desert, a band that, despite its tropical moniker, actually hailed from Poland. (Their 2011 album Falls of the Wastelands was pretty decent.) While that outfit was all about the Kyuss worship, its rhythm section now makes up two-thirds of Spaceslug, which might be the Polish sausage…
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Booze & Glory – London Skinhead Crew (12″ die-cut single)
Rare is the single which features the better of two tracks on its B-side, but such is undeniably the case when it comes to Booze & Glory‘s “London Skinhead Crew” 12-inch single. This time out, the London-based punk band unlaces its collective boots a bit and presents a reggae-infused impression of their excellent call-to-arms anthem, “London…
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Loggerhead – Depths
Muscle Shoals, Alabama is a town with a rich musical history—FAME Studios, The Swampers, Lyrnyrd Skynyrd… but nautical post-sludge metal is probably the last thing that comes to mind. Until now. This local outfit is basically Alabama’s answer to Isis—and they’ve made Depths, their debut album, available for free download on Bandcamp. (Good luck finding…
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Old Firm Casuals – s/t EP (12” picture disc reissue)
By the time Lars Frederiksen unveiled Old Firm Casuals in 2010, the singer/guitarist was already very well exposed in the punk rock community. He had already cut his teeth with U.K. Subs in 1991, gained pop (and pop-punk) stardom with Rancid beginning in 1993 and “gone solo” with The Bastards in addition to taking a…
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Alms – Act One
I caught this Baltimore-based band last year at Days of Darkness, where they opened the first day of the festival—a few of their female-fronted doom tunes reminded me of early Blood Ceremony. And yet, while keyboardist Jess Kamen’s vocals feature prominently on nearly all of the six songs on Act One, they are not strictly…
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Ancestors – Suspended in Reflections
It’s been six years since we’ve had new music from Ancestors, a proggy post-sludge outfit that’s apparently gone from a quintet to a three-piece in the process. Not only have they slimmed down their lineup, but they also seem to have trimmed the fat. While 2012’s In Dreams and Time featured six tracks spanning 66…
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Troll – self-titled
Now, “The Troll” is not my favourite Saint Vitus song. Not even on Mournful Cries. (“Dragon Time” FTW!) But when you’ve got a trad doom band from Portland ostensibly named after a Vitus track, I’m pretty much guaranteed to give it a listen. This album was actually self-released on cassette in 2016, before Shadow Kingdom…
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Ivar Bjørnson and Einar Selvik – Hugsjá
The previous collaboration from Ivar Bjørnson of Enslaved and Einar Selvik of Wardruna, Skuggsjá, was both an achievement and a success (though you would expect nothing less from such individuals). Follow-up Hugsjá is, simply put, a beautiful piece of music, one that works perfectly well as a body of work. The word Hugsjá means to see…
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King Heavy – Guardian Demons
Understandably, when you’re trying to form a classic doom metal band in Chile, you might have some trouble finding a singer. In the case of King Heavy, that meant enlisting Luther Veldmark, a native of Belgium. And while their debut album was recorded without him setting foot in the country, they flew Veldmark over to…
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Witchsorrow – Hexenhammer
Out of all the doom bands with “Witch” in their name, Witchsorrow is right up there with Witch Mountain in my books. Album number four from this U.K. power trio sees them continuing in the classic doom vein, with enough references to demons and devils to keep their “Occult Doom Club” membership active. And yet,…