Sahg takes influence from classic groups like Black Sabbath, Deep Purple and Led Zeppelin and their doom metal sound ranges from fast, retro sounding groovers to more plodding and psychedelic crushers. Fuzzy, trippy and heavy, Sahg does a nice job changing up the styles and tempos.
Like fellow Quebecer’s Unexpect, Blackguard has a distinctive classical European flavor, melodic black metal with a distinctive nod to folk and they like to play fast – Dragonforce fast. However, unlike the self-masturbatory English band, their frenetic pace is not accentuated by technical guitar work, but instead is sopping with keyboards and orchestrations.
When I think MeteorCity, riff rock bands like Lowrider and The Atomic Bitchwax come to mind. In that sense, Flood isn’t your typical MeteorCity band.
To The Nines is the most recent release spawned by Dansk melodic death metallers’ Hatesphere. There is something about Hatesphere that separate them from all the rest.
Germany’s Suidakra return shining bright with their 9th studio effort, Crogacht (meaning – bravery).
In celebration of the 30th anniversary of their landmark album British Steel, Judas Priest returned to Toronto’s Molson Amphitheatre for one of their best shows in recent years.
The third offering from Sweden’s The Legion, A Bliss To Suffer doesn’t wait to try and crush its listeners. Even with a sprinkling of instrumental spots here and an added sound effect there, the core black/death elements emerge from the beginning of opening track “Shining Redemption” and remain more or less consistent throughout the album as a whole.
A quick historical run down here: Leif Edling began his musical career in the Stockholm, Sweden based hard rock act Trilogy in the late 70s where he worked alongside drummer Håkan “Ian” Haugland, later of Europe. In 1985, Leif launched his groundbreaking doom metal band Candlemass who became well-known worldwide for its fresh pioneering sound
While Heaven & Hell has proved itself as formidable of a live act now as it was first time around in 1981, The Devil You Know is a decent album but unfortunately it isn’t as great as it possibly could have been.
With a Napalm Death concert happening nearby in Toronto on the same night, GTA concert goers were somewhat spoiled for choice on May 15th. Within that context, the crowd that came out to see Woods of Ypres’ debut Hamilton performance on May 15th was relatively small but dedicated to the Canadian group’s unique brand of black- and folk- inflicted metal.