FOR THE LOVE OF METAL
Overall, Our Circle Is Vicious is an amusing if not altogether convincing move; decidedly slower than it seems it should be and while that ensures faster tunes blind-side, it also means enduring some plodding, almost boring songs at the same time
To celebrate the recent tour edition reissue of this album, Adrien Begrand revisits Testament’s The Formation of Damnation for Hellbound.ca
Not without the requisite controversy among the black-metal community, once again it appears Darkthrone is determined to carve their name in the big stone book of metal/punk crossover, as another of those rare-treat bands who can appeal to both the ‘airies and the baldies at the same time. There’s just that matter of their tr00-kvlt fans having a hard time with them putting out anything that doesn’t sound once more like Ravishing Grimness.
Leaden and imposing while still agile and heated, Black Eye Blues isn’t redefining the world of hardcore overall but it’s still bold, inspired and original enough to be stunning.
This Blue Record goes from heavy to melodic to acoustic and back, offering something for all fans of heavy rock; from Priestess to Pentagram, Angel Witch to Acid Witch, Kansas to Jerusalem…
A solid offering that never slips below expectations, El Rostro De La Muerte admirably strives to create some elbow room between Exodus’ Pleasures Of The Flesh and Testament’s The New Order.
It has been a very long time since music like this sounded so energetic; on No Guts, No Glory, Airbourne rock out like true believers and they have the chops to back up their ambition.
KREATOR, of course, positively destroyed The Opera House. “Hordes of Chaos” raised the energy level in the room to near-riot level early on, and “Enemy of God” and “Extreme Aggression” kept it there. Whatever chilliness I’d initially felt evaporated almost immediately, and there was rarely a moment when my fist wasn’t in the air and my neck muscles weren’t burning.
Natalie Zed reviews the recent Toronto stop of the Kreator, Voivod, Nachtmystium tour, which happened Tuesday night at the Opera House.
The end result is a raw, almost desperate affair brimming with stellar riffs, engaging caterwauls and an adrenaline-pumping pace virtually absent since thrash’s formative years.
While it’s questionable whether the band haven’t left behind one set of stereotypes only to embrace another, what isn’t questionable is that Imperium Dekadenz have produced an awesome album that is one of the best that the black metal genre has to offer so far this year.