Buzzoven – Violence From The Vault
Violence is somewhat reminiscent of the early Eyehategod demos gathered by Century Media on 2000’s 10 Years of Abuse…And Still Broke compilation, particularly in its transferred-from-cassette-tape sound quality
Violence is somewhat reminiscent of the early Eyehategod demos gathered by Century Media on 2000’s 10 Years of Abuse…And Still Broke compilation, particularly in its transferred-from-cassette-tape sound quality
Combining world music sounds (steel drums, tubular bells, an orchestra, occasionally and a barge-load of goth-sounding synths) with giant and meticulously executed black/death/math metal guitars, Finntroll (literally, the translation is ‘Finn Troll,’ taken from an old Finnish folk legend) come off sounding like the most cinematic and archaic metal band of all time as songs like “Solsagan,” “Ett Norrkensdad” and “I Trädens Säng”bludgeon out a sound that is equal parts European folk, metal and industrial and all aggressive as hell.
The music world is filled with similar smoke and mirrors acts. We’re told over and over and over again that so-and-so’s new album is the one that’ll re-define the genre. How many times have you heard in the last couple years that this-and-that’s “stunning” comeback album is “highly anticipated” and their best yet? Better than Bonded by Blood? Not bloody likely! The lies haven’t stop piling up since the music industry released its ad campaign for Elvis’ second record and this month’s Rimshots lifts the veil, cuts through the crap and saves you some money and/or hard drive space.
W4: The Green Album is a difficult journey. There is a great deal of darkness, and there are certainly wolves (and worse) in these particular Woods. But, as a listener, you are never without a guide. However difficult and painful it may be, this was David Gold’s journey before it was yours, and it is going to hurt him a lot more than it hurts you.
If Skandinavisk Misantropi translates to Scandinavain Misanthropy, does that mean that Skitliv has hatred towards their own kind, or does it portray the hatred Scandinavians have towards the human race in general? This album presents a number of considerably solemn questions as it evokes the feeling of grim dissatisfaction.
A lot of bands attempting to pull off the same thing simply wind up sounding too eclectic to get anything of substance across. But Dark Ages, varied though it is in influence, is still a focused and precise monster, and it’s likely to be another one of those records that will wind up on many a Best-Of list come year’s end.
With a swinging and universally mean attack, Cancer Bats set fire to much of their own past as well as a significant number of the bands that would pretend to be their peers as they find the best possible middle ground between old school hardcore (like Black Flag) and Seventies/Eighties-era metal (think Judas Priest), and throw in something that loosely resembles the raw energy of skate punk for good measure.
You won’t hear any misguided stabs at nü-metal or techno; only a trio of dudes and their respective endorsement deals doing what they do damn well, and having a good time at it (while concocting some of the corniest titles this side of a Skyclad album). The Steve Morse Band delivers flash with class.
A pretty cool find from a band on the cusp of the post-hardcore movement—especially considering the direction its members went afterwards. I guess they didn’t start smoking reefer till they moved away from their parents…
By Albert Mansour Receiving this new Raven CD I raised a worried eyebrow thinking that this was going to be one their Stay Hard…