
Thantifaxath – s/t Demo
The debut demo by Toronto-based black metallers Thantifaxath is enough to make you’d wish you’d never given up your cassette player. It’s certainly an incentive to get it back.
The debut demo by Toronto-based black metallers Thantifaxath is enough to make you’d wish you’d never given up your cassette player. It’s certainly an incentive to get it back.
“Luckily, it was Kampfar who delivered that adrenaline-shot of what I needed. Taking to the stage with ‘Mare’, from their most recent album of the same name, the band proceeded to blow the doors off with an unrelenting set that not only roared far louder and rawer than they do on record, but also proceeded to garner them the largest crowd of the night. The pagan and folk influences I’d read so much about were barely there, foregone in favor of a very straight-to-the-jugular approach.”
Live review by Kyle Harcott; Concert photography by Ted Reckoning
City of Steel is a terrific debut full length for Untimely Demise, and though there may be a few things they could tweak here and there to tighten up the songs, the album is still very memorable and catchy. There is absolutely nothing to dislike here, and anything that might be perceived as needing fixing, will definitely come out with a little more experience.
White Wizzard have had a bumpy ride so far, with band members changing regularly, but I hope they can stick together from now on because if Flying Tigers is evidence of anything, it’s that the band are easily capable of producing infinitely more complex material while retaining that traditional 80s sheen that makes them so compelling in the first place.
The fact that Edguy sound more hard rock than power metal these days shouldn’t be a surprise to anyone who has listened to the band over the last few years. They all have the chops to pull of the experimenting and damn Tobias has a great voice. This is head and shoulders above the last couple of Edguy albums.
“Pausing only to remind the crowd to not take flash photos and to thank people for coming out, the band tore their way through three other songs (including a particularly inspired rendition of “I Will Lay Down My Bones Among The Rocks and Roots”). One of the appeals of a Wolves in the Throne Room performance is their ability to put their music where their mouth is and concentrate solely on creating a wall of atmospheric, ambient noise as opposed to highlighting individual performances.”
Jonathan Smith reviews the September 6th Toronto performance by Wolves In The Throne Room, Thou and more.
if there is one criticism that I could lay on Radio City Music Hall it is that it was filmed far too early on after their reformation. The difference between this band’s performance here and the way they were playing that October when they did a second North American tour was like night and day. They went from being a great band to an outstanding live act.
On From The Devil’s Tomb, Weapon manage to weave a thread of incredible beauty through what should be truly ugly music.
“Even when it feels almost too packed for its own good, Celestial Lineage is a fantastic album that showcases Wolves In The Throne Room’s commitment to their core sound while slowly expanding the band’s boundaries.”
Album review by Jonathan Smith.
“Also hailing from Norway, black metal unit Vreid filled the headlining position and performed what was unquestionably the strongest set of the night. In contrast to the theatricality of the other bands’ appearances, Vreid adopted a simple, almost military look for their style and dress. They performed with much more energy than the other acts and were very much in control of the stage and the audience from the moment they stepped out.”
Natalie Zed reviews the August 25th Toronto performances by VREID, KAMPFAR and NECRONOMICON at the Annex Wreckroom