Reviews

Harangue – Feeding The Wolf EP

As an introduction to the band, the two tracks are an intense six minutes. In that short time, Harangue demonstrate a multi-faceted approach to their songcraft. Abrupt yet timely transitions from hardcore chug to frenetic freakout riffs or absolute slamming breakdowns betrays any notions of this outfit being a one-trick pony.

Barghest / False split LP

This September Gilead Media and Mirror Universe will co-release a split LP featuring two of USBM’s best, Barghest from Baton Rouge, LA and Minneapolis, MN’s, False. Both bands are coming off successful 2011s, which saw Barghest release their debut self-titled full-length and an untitled EP from False. While these two bands are undoubtedly black metal, their styles – at least on this release – are complimentary enough to make this split seem natural, yet distinguishing enough that there would be no confusing the two.

Threshold – March Of Progress

March Of Progress has much to offer and it’s a solid Threshold album by any standard. However, for me it simply lacks the punch and the energy of Critical Mass, Subsurface and Dead Reckoning. A little more spice wouldn’t hurt on the next Threshold album.

Agalloch / Taurus / Musk Ox @ Opera House, Toronto ON, July 23, 2012

“The relationship between musicians and the music they play comes in varying kinds. Some artists are clearly intent on displaying their mastery of the musical tools they wield. Others are more willing to relinquish control, letting the music itself dictate the ways it’s conveyed. Agalloch’s latest visit to Toronto was of the latter type, a night of musical channelling and possession, with all three bands performing as conduits between primal source and receptive fans.”

Live review by Laura Wiebe

Def Leppard

Def Leppard / Poison / Lita Ford @ Copps Coliseum, Hamilton ON, June 17th 2012

“Poison got folks pretty riled up, but if it wasn’t clear from the “Rock of Ages” tour name that Def Leppard was meant to be the main draw of the night, a digital countdown announced that fact in giant numbers. The old ‘all that glitters isn’t gold’ chestnut might’ve made me wary when the band first appeared on stage, Joe Elliot and Rick Savage (like Michaels) rising from behind the drum kit. From Elliott’s mic stand and sneakers to the graphics on the band members’ t-shirts, Def Leppard was covered in glitter, and the multi-screen LCD backdrop functioned as a similar sparkly ‘enhancement.’”

Laura Wiebe reviews the June 17th Hamilton, Ontario stop on the current Rock Of Ages tour, featuring Lita Ford, Poison and Def Leppard.