
Altar of Oblivion – Grand Gesture of Defiance
I must say, this record kinda snuck up on me, not having heard any of Altar’s previous work. But man, this is some high-quality epic doom, right here. Perhaps the best stuff to come outta Denmark since…
I must say, this record kinda snuck up on me, not having heard any of Altar’s previous work. But man, this is some high-quality epic doom, right here. Perhaps the best stuff to come outta Denmark since…
Following in the recent footsteps of Graveyard and Royal Thunder, German trio Kadavar, Tee Pee Records’ latest signing, attempts to bring the 70’s back with their bluesy heavy rock on this, their debut LP. You can’t really give ‘em any points for originality, so it all comes down to execution on this one.
On July 13th Sean Palmerston took his nine-year old son to go see Iron Maiden and Alice Cooper in Toronto at the Molson Amphitheatre. Here is what his kid thought of his first major concert experience.
Remember when everything was labelled alternative, and you had to ask “alternative to what?” In this case, I’d call it an alternative to listening to OM on LSD.
A nasty bit of business, this Grime – very nasty indeed: Their album hits like a blanket party, but well worth the contusions it leaves behind.
Inamorata is an emotionally taxing journey leaving you breathlessly heartbroken and physically exhausted yet hungry for more. If you’re a fan of aggressive, heartfelt and challenging metal, to let Inamorata pass you by would be simply opprobrious.
A Godlike Inferno is a grand, cloven-footed romp. Having one foot in the metal camp, and one in the alt-folk and rock camp, gives the album wider crossover appeal—although potential listeners might struggle somewhat with Opposition’s satanic fervency
Natalie Zed reviews the June 21st Toronto performance by Corrosion of Conformity, Torche, Black Cobra and Gaza at the Opera House. Live photos by Albert Mansour
Not a bad first impression from these ladies—and this is coming from someone who generally detests drone.
To start, some context: it’s rare when an album from within the amorphous power/gothic/symphonic/what-have-you metal category manages to keep my attention these days. I…