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Articles, Headline September 30, 2009

Hatebreed: Interview With Jamey Jasta

He was the host of Headbangers Ball, he owns a few businesses, and he’s in two successful touring bands. On face value, one might think Jamey Jasta would have little to complain about, and even less angst to vent through hardcore music. But such criticism loses grounding when taking into consideration that he’s “turning negatives into positives,” as he puts it, by attempting to transfer difficult childhood experience, as well as recent tragedy, into song. Calling from Pittsburgh on the second-to-last night of the Decimation of the Nation tour (featuring Chimaira, Winds of Plague, Dying Fetus and Toxic Holocaust), Jamey shoots the shit with Hellbound’s Jay H. Gorania about Hatebreed’s new, self-titled release—easily the most diverse and dynamic output of the band’s career.

Headline, Reviews, Reviews - Live September 28, 2009

DragonForce/Sonata Arctica/Taking Dawn @ Odeon, Saskatoon, SK, September 25, 2009

About once a year we here in Saskabush are treated to a little variety by a reputable band that actually likes to sing every once in a while, and it’s always remarkable to witness the turnout. There’s a definite hunger for the melodic stuff out here, and judging by the big, lively crowd that packed the Odeon on this gorgeous early autumn night, yours truly wasn’t the only one who thought the double-bill of Guitar Heroes DragonForce and Finnish stars Sonata Arctica was a welcome deviation from the norm. Decked out in t-shirts that would otherwise be greeted with scorn at underground metal shows, these folks were out to get their wank on in a big way, and by night’s end, they sure got what they wanted.

Adrien Begrand reviews the recent Saskatoon stop of the current DragonForce/Sonata Arctica/Taking Dawn show – even after his promised reviewer’s pass wasn’t left at the door. Read the rest of this article to see if he got his $37 worth.

Headline, Reviews, Reviews - Live September 23, 2009

Down/Voivod @ Kool Haus, Toronto ON, Sept 18, 2009

With considerably less than a packed house at The Kool Haus, Down took no notice, and put on one hell of a show for the rabid Down fans that were in attendance. Despite the small mountain of contraband booze (among other substances) that piled up outside the entrance, the crowd were treeated to a set list that would make any long time fan of the band drool, including a wide range of songs from their 1995 debut scattered with selections from their two more recent albums.

Adam Wills and Sean Palmerston discuss last Friday’s Toronto performances by Down and Voivod

Headline, Reviews, Reviews - Live September 16, 2009

In Flames/Killswitch Engage/Protest the Hero/Between the Buried and Me @ Prairieland, Saskatoon, SK, September 13, 2009

Despite the fact that co-headliner In Flames was playing last on this night, the unforgiving concrete floor was packed with bodies in the moments before Killswitch took the stage, and the joint practically exploded when the five dudes kicked into the tasteful melodic metalcore of “My Last Serenade”, Jones and his rather flamboyant counterpart, guitarist Adam Dutkiewicz, leading the charge.

Adrien Begrand reviews the recent Saskatoon stop on the current In Flames/Killswitch Engage tour. Howard Jones, we hope you are feeling better now!

Headline, Reviews, Reviews - Live September 14, 2009

Motorhead/Reverend Horton Heat/Nashville Pussy @ The House Of Blues, Boston, MA., September 6th, 2009

As fitting as all three bands were to the evening’s lineup, the honest-to-England truth was that there was only ONE band which could unite every Bostonian degenerate ‘n dreg on this evening. “Hello, we are Motorhead, and we play rock ‘n roll,” was the rallying cry, and no sooner was it uttered by bass assassin Ian “Lemmy” Kilmister then the capacity crowd went absolutely—and predictably—bananas.

(Photo Copyright Mark Marek Photography ©2007)

Articles, Features, Headline September 11, 2009

Forest Stream: Nature and Society, Misery and Hope

“Russia is a very good country in many ways, but that is also the country I, personally, hate many things about. The main issue causing this glaringly negative feeling is human indifference. Sometimes it reaches the top level of some sort of cold desperation, and it starts being felt like absolutely nobody cares about anything. Whatever happens they don’t care. Quite often this indifference is shared with another treasure – an ultimate stupidity and even complete assholicism as I tend to call it. I am very tired of it…”

Laura Wiebe Taylor speaks to members of Russian doom metal sextet Forest Stream about their new album, their native homeland and the advantages of recording in studios.

Headline, Reviews, Reviews - Audio September 8, 2009

Church Of Misery: Houses of the Unholy

If you’ve heard the previous two Church Of Misery albums and quite enjoyed them, then you won’t be disappointed with their latest and third full length release. Houses of the Unholy follows the same formula as 2001’s Master of Brutality and 2004’s Second Coming: bluesy lead riffing over heavily distorted rumbling bass accompanied by an incoherent, gruff vocal delivery that reminds me of inebriated Neil Fallon of Clutch.

Jared Hynes reviews the newest studio effort by Japan’s serial killer-obsessed doomsters Church Of Misery.

Headline, Reviews, Reviews - Audio September 4, 2009

Black Anvil: Time Insults The Mind

Like Goatwhore, like Crucifist, Black Anvil is not so much preoccupied with the thin-sounding Scandinavian aspect of black metal (although we are privy to the odd melodic movement reminiscent of Dissection) as they are completely obsessed with the mid-1980s first wave of Bathory, Possessed, and early Celtic Frost, the kind of primitive, immediate, old school metal with crust-infused riffs thick enough to stick to your ribs.

Adrien Begrand reviews the fantastic new debut release by NYC black metal/punk trio Black Anvil.

Headline, Reviews, Reviews - Audio September 3, 2009

Trouble: Psalm 9/The Skull (reissues)

Sadly, most of Trouble’s albums are long out of print, which makes Escapi’s decision to reissue the first two in expanded, remastered formats that much sweeter. Released individually in slipcase, two-disc versions, both 1984’s Psalm 9 and the following year’s The Skull have been digitally remastered, and are much louder and clearer than the original CD issues.

Newly reissued again in North America this September through Dismanic, Sean Palmerston revisits the first two classic slabs of doom by Chicago’s legendary TROUBLE