FOR THE LOVE OF METAL
DILLINGER ESCAPE PLAN were merciless performers, never letting the audience relax for a moment. Not only did their wicked on-stage energy hold everyone rapt, but so did the possibility that at any moment Greg Puciato might dive directly into the crowd and continue to perform while crowd-surfing.
Dillinger Escape Plan concert review by Natalie Zed, written exclusively for Hellbound.ca
To celebrate the recent tour edition reissue of this album, Adrien Begrand revisits Testament’s The Formation of Damnation for Hellbound.ca
KREATOR, of course, positively destroyed The Opera House. “Hordes of Chaos” raised the energy level in the room to near-riot level early on, and “Enemy of God” and “Extreme Aggression” kept it there. Whatever chilliness I’d initially felt evaporated almost immediately, and there was rarely a moment when my fist wasn’t in the air and my neck muscles weren’t burning.
Natalie Zed reviews the recent Toronto stop of the Kreator, Voivod, Nachtmystium tour, which happened Tuesday night at the Opera House.
If there was a concert to bring out the old school headbangers in full force, some with their kids in tow, it was this one. Not only was Megadeth bringing along fellow Bay Area thrash legends Testament and Exodus along for their spring tour of North America, but Dave Mustaine and crew were set to perform the classic Rust in Peace album in celebration of its 20th anniversary, while Testament had promised to play their great 1987 debut The Legacy in its entirety.
Adrien Begrand reviews the recent Saskatoon stop of the current Megadeth, Testament and Exodus tour.
The concept is simple, the execution unyielding, the principle uncompromising. Concept, execution, and principle may be summed up quite simply: death metal. Welcome to the macabre underworld of Vasaeleth. To pinch a famous phrase: abandon hope all ye who enter.
Tate Bengston reviews the Profound Lore debut album by Texan death metal duo Vasaeleth.
Hellbound readers, please welcome aboard Natalie Zed! Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?
So, without further adieu, here is Natalie’s first installment in what Hellbound likes to refer to as “Postcards From Natalie Zed”…
I was surprised as shit to find out that one of the two bands currently ruling the world of DIY (since Fugazi broke up, anyway) is Marillion. Portland, OR’s grind-punk heroes Tragedy are the other, but since they seem to love their privacy and isolation as much as I love their music, let’s focus on Marillion. Plus, the story of how they came to be where they are today is pretty fascinating.
Kevin Stewart-Panko says Marillion are the current Kings of D.I.Y. in rock music right now and explains why in this article.
On Sunday, February 28th, Hellbound Radio was delighted to have some special guests in the studio. Jason Decay and Ian Chains make up two-thirds of Toronto metal trio Cauldron and they made the trip down the QEW to Hamilton and hung with us in the INDI 101 studios, so we in turn dedicated a huge chunk of the three hour show to their band.
Forget Dante Alighieri, Italian poet of the Middle Ages who detailed to his readers the punishments that awaited the damned in Hell. This is DANTE, a name which can only be spoken in the most gravelly of death metal tones. Based on Visceral Games’ recent bloody action game of the same name, the film is directed by Mike Disa and includes art and animation from a few different groups (including Asian animation group Production I.G.).
Jonathan Smith reviews Dante’s Inferno, the new animated film based on the Visceral Games videogame of the same name.
Kyle Harcott reviews Snakes For The Divine, the brand new studio album by High On Fire and their first for new label E1 Metal Records.