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KEVI METAL’S RIMSHOTS v.2 #3

The music world is filled with similar smoke and mirrors acts. We’re told over and over and over again that so-and-so’s new album is the one that’ll re-define the genre. How many times have you heard in the last couple years that this-and-that’s “stunning” comeback album is “highly anticipated” and their best yet? Better than Bonded by Blood? Not bloody likely! The lies haven’t stop piling up since the music industry released its ad campaign for Elvis’ second record and this month’s Rimshots lifts the veil, cuts through the crap and saves you some money and/or hard drive space.

Tom Gabriel Fischer: The Hellbound Interview Part Two

Hellbound’s two-part interview with Celtic Frost and Triptykon founder Tom Gabriel Fischer continues. Today, Fischer talks about his signature guitar sound; composing several tracks on the new album; his relationship with Martin Eric Ain and what will be included in Triptykon’s set list.

When you were working on Triptykon’s debut what was

Tom Gabriel Fischer of Triptykon: the Hellbound Interview

`I didn’t just leave Celtic Frost in the heat of the moment. It took an immeasurable amount of personal problems for me to walk out of my own band. I was the main songwriter in Celtic Frost. We worked for so many years to achieve the status that we only achieved at the very end. It was difficult to let that go on every level.`

Justin M. Norton interviews metal mastermind Thomas Gabriel Fischer about his new outfit Triptykon and the incidents surrounding its formation and the break up of Celtic Frost

Jay Gorania’s SXSW 2010 – Part 2

The Endless Blockade took over with an electronic-noise enhanced set that was a bit more varied, and was arguably even more unrelenting. Their singer constantly confronted the crowd, moving as deep into the sweaty mass as he could. Keep in mind, there wasn’t much floor space to work with, and there was no stage. Just like a basement show, they were sandwiched next to the crowd who was standing on the same floor. Even this guy felt the need to constantly engage with me, running directly into me at least five times.

Why does everyone always pick on me?

Jay Gorania recaps his take on this year’s SXSW Music Festival. In this second entry, he reviews the Profound Lore Records/20 Buck Spin showcase as well as sets by The Atlas Moth, Rwake and Weedeater.

Jay Gorania’s SXSW 2010 – Part 1

Austin’s 6th Street area is the performance location for much of the musical side of South by Southwest—a massive interactive, film and music conference and festival. Historically, unsigned bands came to get noticed by suit ’n tie record label reps; however as it has evolved, signed underground and mainstream bands have dominated showcases, and schmoozin’ and boozin’ is underway as backroom deals and negotiation unfolds. Hell, it’s gotten to the point that Metallica played last year.

Jay Gorania recaps his take on this year’s SXSW Music Festival. In this first entry, he reviews the Relapse Records showcase as well as sets by Torche, Goes Cube and Goatwhore.

Impetuous Ritual – Relentless Execution of Ceremonial Excrescence

Despite the fact that the album title reads as if Impetuous Ritual chose it using Death Metal Mad Libs, this album is anything but random in concept and performance. No, this soul-rending slab of doom-laced death metal is a calculated carnage machine of the first order.

Tate Bengston reviews the new album by Portal side-project Impetuous Ritual, released earlier this year by Profound Lore Records.

Immortal / Eclipse Eternal / Panzerfaust @ The Opera House, Toronto, ON, March 27, 2010

Immortal never failed to acknowledge the momentous occasion that their appearance was for the diehards in the crowd. From their frequent praising of the crowd to Abbath’s invocation of fan worship during “Tyrants,” the band’s antics never failed to garner overly-excited cheers from fans who had obviously been long bursting a gut to see their heroes in the flesh. While there was no fire-breathing to be had, Abbath and company didn’t fail to prove their musical chops.

Jonathan Smith reviews Immortal’s March 27th concert at Toronto’s Opera House. Panzerfaust and Eclipse Eternal also appeared. All concert photos by Adam Wills.

Postcards From Natalie Zed, Part 2

Hellbound readers, remember Natalie Zed? Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?

So, without further adieu, here is Natalie’s second installment in what Hellbound likes to refer to as “Postcards From Natalie Zed”…

Festival Recap – Scion Rock Festival, Columbus OH, March 13, 2010

I like free things. I especially like them when they give me the chance to see a bunch of bands I dig for, well, nothing. So, after passing on going to the initial Scion Rock Festival with Kevin Stewart-Panko last year when it happened in Atlanta, I made up my mind I wouldn’t miss this year’s edition. When it was announced in early February that this year’s edition would be happening in a much closer location – Columbus, Ohio to be exact – we made plans to go.

Sean Palmerston recaps the 2010 Scion Rock Festival in Columbus OH for Hellbound.ca.

Dillinger Escape Plan / Darkest Hour / IWrestledABearOnce @ The Opera House, Toronto ON, March 14, 2010

DILLINGER ESCAPE PLAN were merciless performers, never letting the audience relax for a moment. Not only did their wicked on-stage energy hold everyone rapt, but so did the possibility that at any moment Greg Puciato might dive directly into the crowd and continue to perform while crowd-surfing.

Dillinger Escape Plan concert review by Natalie Zed, written exclusively for Hellbound.ca