Hellbound Audio Interview: Heaven & Hell’s Vinny Appice
Jason Wellwood in conversation with HEAVEN & HELL / DIO / BLACK SABBATH drummer Vinny Appice.
Jason Wellwood in conversation with HEAVEN & HELL / DIO / BLACK SABBATH drummer Vinny Appice.
“I just remember being at the practice space, early on and writing some songs, and realizing how different they were sounding. And being a little unsure as to how it was going, and where it was gonna end up. Especially since Static Tensions had just come out, people were still checking that record out. So it was like ‘Well, this is definitely NOT Static Tensions Part II’, but [these new ideas] could go one of two ways…”
Kyle Harcott in conversation with Laura Pleasants and Phillip Cope of Kylesa.
You may remember that about a month ago Hellbound published an interview that Jason Wellwood did with the one and only Phil Anselmo. This interview was originally done for Mr. Wellwood’s radio show “Blowing Up The Lakehead”, which airs each and every Monday night on CILU FM in Thunder Bay. Since it was so successful on the site – it is now our number two most read article of all-time – we jumped at the chance to also put up the audio files of the entire interview when Mr Wellwood offered.
Kevin Stewart-Panko and Sean Palmerston interviewed Mike Thompson of Withered when they played at Hamilton’s Club Absinthe last Thursday night.
“The moment the overture of “At the Edge of Time” began, the Kool Haus erupted. The audience was no longer a collection of discrete individuals; the room was suddenly occupied by a single entity, one cacophonous voice entirely at Blind Guardian’s mercy for the entire two-hour set. Very few shows can inspire this kind of intense, unifying energy, but this was such an event.”
Natalie Zed reviews the recent Toronto performance from power metal legends Blind Guardian, who were joined by Holy Grail and Seven Kingdoms.
“I remember that both Celtic Frost and Destruction were very happy that they were known and in demand in the North American music scene. Celtic Frost were extremely heavy live, especially as they were a three piece. Reed definitely destroyed his drums with his heavy style of percussion, and Martin was an animal when it came to head banging while he played. Tom and the rest of the band had a great metal image with an avant garde style.”
November 30th marks the 25th anniversary of the infamous WORLD WAR III Festival in Montreal. Sean Palmerston interviews attendee Dave Busch in memory of this groundbreaking event in Canadian metal history.
Kevin Stewart-Panko and Sean Palmerston sat down with the members of Landmine Marathon when they played at Hamilton’s Club Absinthe on November 25th for this audio interview.
“The other reason is that people want to tag bands with some political name; especially if you don’t denounce the group they say you are a part of. I won’t denounce any political movements. One, I’m not a part of them and it’s not my place. And two, I believe in free speech and free expression. If someone wants to go out and be a part of a movement even if I don’t agree with it it’s not my place to step in. I’m not an activist, I’m not as politician. I have enough problems of my own and I don’t need to start a war with any specific movement.”
Justin M. Norton in conversation with Krieg founder and main man (and sometime Twilight collaborator) Imperial.
Hellbound readers, we’re sure that by now you are all familiar with our Natalie Zed, right? Natalie was our big grand prize winner way back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?
Well, with her last installment (reviews #41 – 48 for those keeping stats at home) Ms Zed actually finished up her prize and has now started to review newer CDs. So, without further adieu here is part 6 in what Hellbound likes to refer to as “Postcards From Natalie Zed”…
“We have no contemporaries that are alive, let alone making music for the right reasons. We’re the last ones of a certain era, really, from the second wave of punk. And our career’s been very different insofar as I think the most meaningful and exciting and perhaps vital part of our career has been from the middle to this point. The velocity of each album increases, and now with the original lineup back… wow, it’s great. But we’ve never stopped putting out records. And that’s it. Other bands reform, we haven’t, we just keep going.”
Kyle Harcott speaks to Killing Joke mainman Jaz Coleman on the eve of the release of their newest album Absolute Dissent.