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Asphyx – Deathhammer

This is pretty much the same mid-tempo old school shit all the way through. It is exactly how Asphyx wants it, and if you like good quality, be it fairly unoriginal Death Metal then you will fully dig this.

You’re dead to me, Canadian Music Week!

Canadian Music Week has always been the first weekend in March, and as such, I’ve adjusted/cleared my schedule accordingly for the past few years. But this year, they’ve decided to make a change, moving the event to the fourth weekend of the month. The official reasoning I’ve heard is they want to have it after SXSW, as if that would entice more bands to come up and play here. Hey, there are tons of amazing metal bands that just played SXSW–and I don’t see a single one on the bill for Canadian Music Week.

Meshuggah – Koloss

The band’s true pioneering days may be over, they still manage to deliver the goods on Koloss. The songwriting is impeccable and the album still contains new elements to keep things fresh and exciting.

Children of Bodom/ Eluveitie/ Revocation/ Threat Signal @ Sound Academy, Toronto ON, February 27, 2012

“I’ve always credited Finland’s Children of Bodom with helping to further my interest and involvement in metal, and in all those years I’ve seen them live a countless number of times. Somehow though, this show felt different. It felt special. Whether it was the ravenous crowd, my nostalgic mood, or the fact that this was the band’s 15th anniversary tour, the moment I heard the opening riffs of “Sixpounder” I just couldn’t stop smiling.”

Renee Trotier reviews the February 27th Toronto performance by Children of Bodom, Eluveitie, Revocation and Threat Signal. Live photos by Albert Mansour.

Orthrelm – 20012

Orthrelm appeal to that side of your nature that makes you recheck you’ve locked the door 10 times and pick at scabs best left alone. It’s obsessively intricate, maddeningly torturous, and absolutely brilliant. The very best thing about 20012 is that it’s just two bite-sized chunks of noise to digest

Soulfly – Enslaved

Soulfly may not be the cutting edge band it once was, but it’s still a relevant bulwark of power in today’s metal scene. Enslaved is a poignant celebration of Max Cavalera’s musical vision and his longevity.