Cancer Bats – Dead Set On Living
While Cancer Bats have never released a record that anyone could call a failure, this album should be a widespread, runaway success – it deserves to be, it is absolutely their best, most accessible album to date.
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Barghest / False split LP
This September Gilead Media and Mirror Universe will co-release a split LP featuring two of USBM’s best, Barghest from Baton Rouge, LA and Minneapolis, MN’s, False. Both bands are coming off successful 2011s, which saw Barghest release their debut self-titled full-length and an untitled EP from False. While these two bands are undoubtedly black metal, their styles – at least on this release – are complimentary enough to make this split seem natural, yet distinguishing enough that there would be no confusing the two.
The Courthouse might be Toronto’s best doom metal venue–when it’s not hosting dance parties, that is…
Last summer, when I first heard that YOB was playing some dance club at Church and Adelaide, I must admit, I had my reservations about the Courthouse. But that changed almost as soon as I walked into the place–or perhaps, more accurately, once local legends Sons of OTIS took the stage and I could feel the bass hit my face. Last nite’s HOMTGOS tour only served as confirmation–this is probably the best place in town to catch a doom metal gig, though the going rate seems to be about one a year here…
Threshold – March Of Progress
March Of Progress has much to offer and it’s a solid Threshold album by any standard. However, for me it simply lacks the punch and the energy of Critical Mass, Subsurface and Dead Reckoning. A little more spice wouldn’t hurt on the next Threshold album.
Agalloch / Taurus / Musk Ox @ Opera House, Toronto ON, July 23, 2012
“The relationship between musicians and the music they play comes in varying kinds. Some artists are clearly intent on displaying their mastery of the musical tools they wield. Others are more willing to relinquish control, letting the music itself dictate the ways it’s conveyed. Agalloch’s latest visit to Toronto was of the latter type, a night of musical channelling and possession, with all three bands performing as conduits between primal source and receptive fans.”
Live review by Laura Wiebe
Another viewpoint on Baroness’ Yellow and Green
I know that Baroness fanboys will hate me for this, but I think Yellow and Green is a failed concept and a disappointing listen—more Sandinista than London Calling, if you will.
Def Leppard / Poison / Lita Ford @ Copps Coliseum, Hamilton ON, June 17th 2012
“Poison got folks pretty riled up, but if it wasn’t clear from the “Rock of Ages” tour name that Def Leppard was meant to be the main draw of the night, a digital countdown announced that fact in giant numbers. The old ‘all that glitters isn’t gold’ chestnut might’ve made me wary when the band first appeared on stage, Joe Elliot and Rick Savage (like Michaels) rising from behind the drum kit. From Elliott’s mic stand and sneakers to the graphics on the band members’ t-shirts, Def Leppard was covered in glitter, and the multi-screen LCD backdrop functioned as a similar sparkly ‘enhancement.’”
Laura Wiebe reviews the June 17th Hamilton, Ontario stop on the current Rock Of Ages tour, featuring Lita Ford, Poison and Def Leppard.
Ozzy Osbourne – Speak of the Devil DVD
“this is an excellent watch, and a solid piece of metal history which should be requisite watching for people claiming to be Ozzy fans in 2012 who were born in the late 80’s or early 90’s.
Katatonia – Dead End Kings
The melancholic musings of Renkse and Co aren’t as convincing as on the three previous albums I’m afraid. Dead End Kings certainly has its moments of greatness, but for some reason I expected a stronger and more consistent album.
Witch Mountain / Blood Ceremony / Castle @ Hard Luck Bar, Toronto ON, June 13th 2012
By Natalie Zed Every once in a while there is a concert line-up that makes you do a double take. The bands are so…