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Barge To Hell Cruise Recap Part 1

Last week the inaugural BARGE TO HELL cruise sailed from Miami, FL to Nassau, Bahamas and back and featured live performances by forty-two death, thrash and black metalbands. Hellbound.ca was lucky enough to have been able to send some of its contributors on the cruise and here is what they had to say about getting to Miami and the first evening’s performances.
Introduction by Sean Palmerston with live reviews by Adrien Begrand and Sean Palmerston. All photography by Albert Mansour unless listed otherwise

Overly-sensitive Danish guy attends Gwar concert, writes review. Online shitstorm ensues!

Now, I won’t say I’m a die-hard Gwar fan, but I’ve certainly seen them live a few times over the years. Their tongue-in-cheek, politically-incorrect lyrics are matched only by their over-the-top stage show, featuring plenty of blood, guts, and mutilation of popular political figures. But of course, you probably knew that already… unless your name’s Heino Døssing.

Kowloon Walled City – Container Ships

Though they’re named after an opulent area of Hong Kong, this band hails from San Fran, across the Pacific Ocean. And after their self-released debut record generated a bit of a buzz three years back, KWC has signed with Brutal Panda for this, their sophomore release—35 and a half minutes of punishing post-sludge.

Maaaan, when did Monster Truck get to be so big!?

I’ve been living and attending concerts in Toronto for over seven years now, so it’s safe to say I’ve seen a few local bands who got big well before they were known commodities. But now, I can even say I’ve seen a band from Hamilton go from the Toronto scene to the national stage. That band just happens to be called Monster Truck.

Finsterforst – Rastlos

I can’t say that Finsterforst are totally original, but they make up for any lack of creativity by bringing a contagious passion to a style of metal that has rarely resonated with me in recent years. They make a powerful case for the sheer grandeur of their music, which is pretty significant considering that the band sings mostly about the forest and the abuse of nature.

Korpiklaani – Manala

Korpiklaani are a band of the wild that produce music far from an animal call, but a signature sound that summons fans – those who appreciate progenitors shaping the credibility of a once scoffed metal sub-genre through an innovative tribute to culture.

Soundgarden – King Animal

King Animal isn’t just some pale and passably competent effort designed to take hopeful fans for a few bucks – there is genuine heart in it, and that is what will win both old fans back and new fans to this record.