FOR THE LOVE OF METAL
This reissue of Raw Power is satisfying because, unlike so many of the more “adventurous” re-workings of the material, this release stays true to the original; even leaving some of the noticeable flaws (like the clipping that might be from volume or from a little bit of tape left mangled in “Your Pretty Face Is Going To Hell” intact) in place to imply the rough, warts-and-all initial recording process.
This is an album that should truly be admired for its intelligent design. The band might get comparisons to Between The Buried and Me and I would agree with that except for the fact the The Ocean surpassed BTBAM in cohesive songwriting two albums ago. It’s a shame the scene kids won’t “get it”
Ignoring the laughable title of the album, from note one of the album’s lead-off track, “One,” there’s nothing particularly original or attention grabbing about any aspect of the record.
As opposed to the combination of muscle and nuance that Eluveitie excels at live, Amon Amarth is always strictly about brute force. No frills at all, just five guys taking the stage and hammering out an hour and a half’s worth of rousing tunes. Led by the gregarious, downright jolly Johan Hegg, the band hunkered down and regaled the hot, sweaty crowd with a considerably longer set than their first North American tour, which was certainly a nice touch.
Modestly experimental and incredibly grandiose by their standards, this double album (their first ever) clocks in at an ungodly 80-plus minutes, way more than it should but, hey, it’s Cathedral. You know the fuzz-pedals were particularly gritty one day and writing got out of hand.
If you’ve got nothing better planned than some bong hits in yer buddy’s basement, you can come catch me spinning some tunes at the Hard Luck Bar this Tuesday…
I don’t want to in any way cheapen Ludicra’s performance here by saying that they performed “admirably under the circumstances.” They flat-out fucking rocked. They are tough, tenacious, and have a mind-blowing stage presence. Their vocalist, Laurie Sue Shanaman, filled the meagre space with her otherworldly voice.
Natalie Zed reviews the April 14th Toronto performance by Ludicra, Krallice and Empyrean Plague, which took place at Rancho Relaxo
This album shows the real Toronto metal scene is sparkling with some great new bands.
Like a ghost ship emerging from a heavy fog, Germany’s gothic duo have returned with an album that, despite some occasional flat attempts towards invoking a playfully dark atmosphere, is a fun record well worth a listen.
I hope that more people will find the time to check out We Are the Cult of the Plains, because after repeated listening, it’s totally grown on me – a fascinating, schizophrenic, Syd Barrett take on black metal.