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Yakuza – Of Seismic Consequence

Even though this might be the darkest Yakuza record thus far, it’s also the most song oriented. It seems that Yakuza has focused on crafting their free form jazz metal jams into more succinct pieces this time around, which allows for a more palatable record. Palatable that is, for folks who found their previous work too challenging to listen to.

Nevermore – The Obsidian Conspiracy

The Obsidian Conspiracy had an almost insurmountable expectation being the follow up from TGE and both solo records, which were great. Nevermore fans will be disappointed with this new album however, as the record doesn’t really deviate from the Nevermore formula and some of the songs are just plain stale.

Kingdom of Sorrow: Side-Project Comes Into its Own

Kingdom of Sorrow: It’s a name that conjures up images of some grizzled warrior-king, his throne coated in ash, his body caked with blood. It evokes both torpor and power. And indeed, the quintet plays a blend of filthy swamp sludge and growling hardcore, courtesy of Crowbar/Down string slinger Kirk Windstein and Hatebreed vocalist Jamey Jasta.

Hellbound.ca scribe Sarah Kitteringham speaks to Jamey Jasta about night terrors, bringing your inner Zeppelin to life and Kingdom of Sorrow’s great new sophomore release.

Obituary/ Entombed/ Rumplestiltskin Grinder at The Opera House, Toronto, ON June 1, 2010

I have yet to attend a metal show that I am not excited about. It’s an excitement that transcends ticket price, record label, venue, or profile. Whether I am going to see a deep-underground band playing in a tiny bar, or a legend taking on the ACC, I experience the same moment of unrestrained pleasure when I step out my door wearing heavy boots and carrying earplugs in my pocket.

Natalie Zed reviews Obituary/Entombed/Rumplestiltskin Grinder in Toronto, accompanied with photography by Adam Wills.