FOR THE LOVE OF METAL
Where Distant Spirits Remain is not the strongest release of its ilk this year, but overall it’s a good debut that shows much future potential and talent. The biggest issues found here (vocals that don’t always fit in as well as tendencies toward being long-winded) are hazards of the band’s chosen style, and both are issues that could very well be addressed by the next release.
Great gig at the Silver Dollar Room last nite, featuring Tee Pee recording artists Naam, ELKS and Toronto’s own Quest For Fire. It’s not every day that Toronto sees a heavy psych triple bill of this magnitude.
This album isn’t breaking any new ground, but if you’re a fan of clean-voiced heavy/melodic/viking metal (with some power metal mixed in) this album is for you.
All Pens Blazing writer Neil Daniels in conversation with Hellbound’s Natalie Zed
Now after watching this thing twice I’ll bet anyone who would argue that Matt Barlow is not the one and only true vocalist for this band. His performance on the Metal Camp festival show is flawless. Such emotion and passion in his delivery, it will have you punching your fist in the air. Highlights are “Declaration Day” and “Dracula”. He hits the highs effortlessly and really knows how to command the stage. The band sounds as tight as hell and really proves that they are the premier power metal band in North America bar none.
The debut demo by Toronto-based black metallers Thantifaxath is enough to make you’d wish you’d never given up your cassette player. It’s certainly an incentive to get it back.
“Luckily, it was Kampfar who delivered that adrenaline-shot of what I needed. Taking to the stage with ‘Mare’, from their most recent album of the same name, the band proceeded to blow the doors off with an unrelenting set that not only roared far louder and rawer than they do on record, but also proceeded to garner them the largest crowd of the night. The pagan and folk influences I’d read so much about were barely there, foregone in favor of a very straight-to-the-jugular approach.”
Live review by Kyle Harcott; Concert photography by Ted Reckoning
City of Steel is a terrific debut full length for Untimely Demise, and though there may be a few things they could tweak here and there to tighten up the songs, the album is still very memorable and catchy. There is absolutely nothing to dislike here, and anything that might be perceived as needing fixing, will definitely come out with a little more experience.
Last nite, Kyuss Lives! kicked off its North American tour in Toronto, with support from The Sword and MonstrO. To say that the venue was a little out of the way would be an understatement, and the support was a little underwhelming, but I woulda given a kidney to see 90 minutes of Kyuss tunes in the flesh. I’m just glad I didn’t have to!
White Wizzard have had a bumpy ride so far, with band members changing regularly, but I hope they can stick together from now on because if Flying Tigers is evidence of anything, it’s that the band are easily capable of producing infinitely more complex material while retaining that traditional 80s sheen that makes them so compelling in the first place.