Author: Sean Palmerston
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Dimmu Borgir – Abrahadabra
Abrahadabra is an incredibly cultured listen showing audible evidence of effort contributed, yet making you feel as though the work was generated on the spot.
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Unearthly Trance – V
There isn’t much in the way of standout tracks on this one, but rather a continuous, pummelling, ear-pounding assault that only seems to get slower as the album nears its conclusion.
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Star One – Victims of The Modern Age
The album feels dark, but overall it leaves you with a positive feeling, positive that Lucassen is a fantastic musician/writer/lyricist and he knows exactly how to put together an amazing album and get incredible results from his guests.
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Escape The Fate: s/t
Some listeners will be incensed by the combinations that Escape The Fate are making here, some will call it a mockery – but many will see the resulting pop-metal as a gateway; what Escape The Fate has done on their new album is create a bridge connecting the continents of pop and metal that makes…
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Sodom – Lords of Depravity Part II
Lords Of Depravity Part II is an amazingly thorough, well-put together package but it might just be way too much for the beginner Sodom fan. At a running time of over six hours there is a shitload of Sodom to be had for a reasonable price.
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Torche – Songs For Singles
As far as the Torche sound goes, Songs For Singles is a breakthrough; there have been hints of veering off in this direction from the beginning, but Torche have really nailed it down here. Though I’d have been just as happy to wait for a full-length, at 21 minutes, this feels like more a tease…
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Therion – Sitra Ahra
Even with turnover amongst the ranks of its members over the years, Therion has the foundation of Johnsson and (unofficial) Karlsson and continue to write and record some of the most creative albums in the symphonic metal genre. The epic album Sitra Ahra ranks among their very best works.
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Agalloch – Marrow of the Spirit
Marrow of the Spirit is not, personally, the musical paradigm shift that was Ashes Against The Grain. It is instead a welcome development of and contribution to Agalloch’s catalogue, an album that is a sure contender for the inevitable “best of” lists coming up.
