Kylesa – From The Vaults Vol 1
From the Vaults more than satiated fans eagerly awaiting Ultraviolet’s release, and also serves as an excellent primer to the Kylesa pantheon for those just discovering the band.
From the Vaults more than satiated fans eagerly awaiting Ultraviolet’s release, and also serves as an excellent primer to the Kylesa pantheon for those just discovering the band.
The Paradigm Shift sees the band stepping back on the road facing the right direction. It sounds like they might be on their way here and album twelve might see the band back to being Korn at their best – as long as they don’t get distracted or diverted.
It’s a great thing to have a new Motorhead album in 2013, especially when it is as solid as this one is. Aftershock does not disappoint throughout and is another great addition to the band’s catalogue. Long live Motorhead!
On October 8th former Genesis guitarist Steve Hackett and his current band played two-and-a-half hours of classic Genesis material at Oakville’s Centre For the Arts. Here is Sean Palmerston’s recap of the night, with live photography by Albert Mansour.
Hellbound Metal: “The EP flies by in less than seven and a half minutes and each second oozes bloodsoaked fun. It’s a riotous good time full of aggression and tongue-in-cheek humour.”
By Gruesome Greg After hearing this female-fronted Virigina doom troupe’s contribution to the Cough split, I was very much looking forward to their full-length…
Hellbound Metal: ”
Hey there, Hellbound readers! We are a little behind in playlists, Sean has been too busy with work related things to update everything as much as he should, so here are two weeks worth of playlists.”
Don’t get me wrong, [Chron Goblin] could still be considered desert rock (hell, they even crossed the pond and played Desertfest), but there’s a bit more of a bluesy influence here, a little more up-tempo approach—but with some very heavy riffs thrown in for good measure.
Hellbound Metal: ” Odori Sepulcrorum is a sprawling and magnificent brew of the crushing might of death metal, the downtrodden scope of doom and the atmosphere of black metal. It presses in on the consciousness, making its victims uncomfortable in the least, and rendered mad at its best.”
Hellbound Metal: “Labyrinth is an audible reflection of the album’s concept: chaotic with erudite intricacy. Look beyond the perpetual bewildering shifts of tempo and style, and you’ll gain much respect for Fleshgod Apocalypse’s pursuit of higher thinking.”