Sean Palmerston

Sean is the founder/publisher of Hellbound.ca; he has also written about metal for Exclaim!, Metal Maniacs, Roadburn, Unrestrained! and Vice.

A tenebrous tetralogy: reviews of four recent black metal releases

As a neurotic and obsessive metal fan I struggle to cope with the number of magnificently malevolent black metal releases I’m missing out on. It’s a depressing thought—which I suppose is quite apt really. Such is the enigmatic nature of the underground scene, coupled with the fact that I am essentially a troglodyte, for every excellent black metal release I get to hear, five other worthy contenders pass me by. However, there are a few releases of late that I have been fortunate enough to hear and think deserve some praise-heavy wordage. Continuing my never-ending multi-album review series, this time I’m focusing on a few rough-edged gems (and one notably polished one) from black metal’s inhospitable climes.

Alex Webster of Cannibal Corpse: The Hellbound Interview

Prominent American senators and presidential hopefuls have pointed their fingers at Cannibal Corpse, implying the band is partially responsible for society falling apart. Murder victim family members have also done the same. Censorship has reared its ugly head in Germany, a nation where the band has been legally prohibited from playing certain songs. And yet through it all, the Florida-based death metal machine continues to march on, hacking away at everything in sight—musically, that is—nearly a quarter of a century after its inception.

Jay H. Gorania interviews Alex Webster, bassist and founding member of death metal legends Cannibal Corpse.

Turisas/ Alestorm/ Ex Deo/ Arkona/ Huntress/ Protokult @ The Opera House, Toronto ON, April 2nd, 2012

“There is something about Paganfest that is magical. Someone on my Twitter feed referred to it as “the Comic-Con of metal shows” and I can’t think of a more apt description. The cosplayers were certainly out in force, from warriors carrying drinking horns and wearing utili-kilts to pirate wenches in striped tights. Before a single note was played, I saw foam swords, pirate flags, inflatable moneys, and even one memorable chain mail bikini. This show was all about the pageantry, about proclaiming your allegiance to one of the pagan metal subcultures, whether that be Russian folk or Roman Centurion. It made the audience a part of the entertainment, and made the ridiculous length of the show a lot more bearable.”

Natalie Zed reviews the April 2nd Toronto performance of the 2012 travelling Paganfest featuring Turisas, Alestorm, Ex Deo and more.

Eluveitie – Helvetios

Swiss death folk leaders Eluveitie return with a rustic record of wood-burning, raw depth. Helvetios fuses century old elements with a modern metal tone that support each other like a horde facing battle.