Panopticon – Kentucky
This is an album I will be proud to add to my collection, and it’s one of the few metal albums that’s evoked so many emotions in me.
This is an album I will be proud to add to my collection, and it’s one of the few metal albums that’s evoked so many emotions in me.
Embers and Revelations draws from a thoroughly Luciferian lexicon, and is a magnificent deluge of ungodliness. Weapon prove, once again, that an abundance of sinister creativity can be dredged from the quagmire of blackened death and masterfully butchered upon the altar.
Bottom line, you will not find another band in Toronto that sounds anything like this.
This show is a great peak into what Thin Lizzy were about to become with 1976’s Jailbreak – one of the best hard rock bands in the world.
The Early Years is a decade of primal folk, and a document that has evidently shaped one of metal’s most extreme divisions today.
This is still a “metal” album, just one that defies quick-and-easy categorization. Not for the faint of spirit, but a long, strange trip for the rest of us…
On its surface, on a purely musical level, Reverence to Stone is a fantastic journey of ups and downs, rising to heights and crashing back down to earth, riding the waves and the winds of inner discovery. Add to that lyrics which can be interpreted in more than one way and you have an outstanding doom record itself worthy of reverence.
If they’re ending their careers on this note, well, they’ve left us with a solid token to remember them by.
Hellbound’s third preview of this month’s Noctis Fest in Calgary AB is a Q & A with ANCIIENTS guitarist Chris Dyck, as interrogated by Kyle Harcott
Justin Richardson reviews the September 12th and 13th performances by Nightwish and Kamelot at Atlanta’s Center Stage facility, done as a welcome to that weekend’s ProgPower USA festival.