FOR THE LOVE OF METAL
Generally speaking, a band should be greater than the sum of its parts. Keith Carman isn’t sure that is the case with US super group The Company Band (although assuredly it must be better than that awful new band John Paul Jones is in).
Ever wonder what it would be like to be sitting peacefully on an outhouse latrine only to have the structure upended by backwoods goons, leaving you writhing in excrement? Probably not, but a good musical equivalent to this “Deliverance” scenario would be listening to Grindvirus, the new offal-ing from long-running Polish grinders Squash Bowels.
Being a huge fan of W.A.S.P. ever since I first saw the video clip for “I Wanna Be Somebody” from their self titled album back in the 80’s, it pains me to tell you that there’s not much new happening here, except for some recycled riffs and solos from previous albums.
After a few years of relative quiet, Devin Townsend came back with two new albums in 2009. The first to fall on anxious ears was Ki, a relatively restrained outing for the often bombastic Townsend, introducing the Devin Townsend Project and what will eventually be a four-part multi-album endeavour. A few months later, Addicted followed, taking the project in a more straightforward and lively direction while shaking up the musical cast. (Addicted features vocalist Anneke van Giersbergen along with previous Townsend collaborators.) Here Devin answers a few logistical questions about the new project, covering distribution, pragmatic accounting, and future touring plans.
Interview by Laura Wiebe Taylor
Barely squeaking into the realms of bona fide metal, Oklahoma City’s Memory Driven seem more intent on crossing over between the worlds of radio-friendly hard music and the more lenient metallions than dedicating themselves to something of true merit.
The latest effort from Swedish black metal veterans Dark Funeral continues the band’s tradition of brutal assaults on the ears of its listeners and fans. While Angelus Exuro pro Eternus has its strong points and memorable moments, it offers little to differentiate itself from the band’s back catalogue and never quite develops its own identity.
Hellbound.ca’s good friend Adrian Bromley passed away one year ago today, on December 7th, 2008. Sean Palmerston discusses his friendship with Adrian and remembers his dear friend and colleague.
Converge seem to be following a trend among veterans like Sacrifice, Suffocation, Asphyx and Brutal Truth who have released albums this year: offering music that despite the band’s longevity, are if not one, the best albums they have ever created, all while staying true to their original sound.
On the weekend of November 6th, Hellbound.ca’s own Adam Wills made the three hour trip up north to North Bay, Ontario to meet with Woods Of Ypres mastermind David Gold about his band’s new, then unreleased new album W4: The Green Album. In a Hellbound.ca exclusive, here is the first part of Adam’s interview with David about the band and their new album.
Packed to the gills with live performances, archival clips and documentary footage, Where Death Is Most Alive is an immensely gratifying look back at one of the most consistent bands in all of metal.