Rotting Christ: Aealo
Aealo is the best Rotting Christ album since Triarchy of the Lost Lovers. Dive deep, and discover for yourself.
Aealo is the best Rotting Christ album since Triarchy of the Lost Lovers. Dive deep, and discover for yourself.
It’s a given D.R.I. will draw a crowd in their adopted city. Add that this was D.R.I’s first show here in six years since guitarist Spike Cassidy was diagnosed and then beat colon cancer and you have a sold out crowd where getting to the bathroom was a 15-minute undertaking. The band’s performance was far from a history lesson; it was a bunch of grizzled veterans showing the kids how to take care of business.
Justin M. Norton recaps D.R.I.’s recent return to Slim’s in San Francisco, CA.
Forged from the combative live-in-the-studio atmosphere of Kreator’s Pleasure To Kill coupled with the soupy low end of Obituary yet new enough to elicit comparison to fellow evil-doers Behemoth, The Final Conflict is as furious as it is delightfully offensive.
We Came As Romans aren’t your Dad’s sheen of metal, as Bill Adams finds out when he interviews band guitarist Joshua Moore on the eve of their January 2010 tour of Ontario.
Forever is the World is the latest offering from Norway’s Theatre of Tragedy.
If you go to Chicago, I suggest you check out Kuma’s Corner. Yes, the burger joint encased in a fine English pub atmosphere is quickly becoming a metal institution as almost every reputable metal publication has raved about it. The music is friggin’ dirty, the atmosphere is chillax, and the food is awesome.
Laina Dawes reviews the coolest all-metal hamburger joint in the Midwest US,Chicago’s Kuma’s Corner
From the bleak opening riffs to the lingering saxophone notes that close it, After is a fascinating listen that gets better every time it’s played.
With a sound rooted more in earlier bands like Bathory and Venom rather than later Norwegian cuts, both Nifelheim and Devil’s Force are blasts of thrashy black metal that stick to a plan and rarely deviate.
Yep, Fear Factory’s Burton C. Bell is reunited with the band’s original guitarist Dino Cazares. And it feels so good. Hellbound spoke to the influential frontman about Mechanize and its place amidst Fear Factory’s creative 90s triumvirate of Obsolete, Demanufacture, and Soul of a New Machine.
Despite Nazxul’s more arid southern hemisphere imagery, Iconoclast has a traditional but ferocious sound that is anything but dry.