Buzzoven – Violence From The Vault
Violence is somewhat reminiscent of the early Eyehategod demos gathered by Century Media on 2000’s 10 Years of Abuse…And Still Broke compilation, particularly in its transferred-from-cassette-tape sound quality
Finntroll – Nifelvind
Combining world music sounds (steel drums, tubular bells, an orchestra, occasionally and a barge-load of goth-sounding synths) with giant and meticulously executed black/death/math metal guitars, Finntroll (literally, the translation is ‘Finn Troll,’ taken from an old Finnish folk legend) come off sounding like the most cinematic and archaic metal band of all time as songs like “Solsagan,” “Ett Norrkensdad” and “I Trädens Säng”bludgeon out a sound that is equal parts European folk, metal and industrial and all aggressive as hell.
Photo Gallery: Testament @ Town Ballroom, Buffalo NY, March 13, 2010
Photo gallery by Albert Mansour On Saturday, March 13th I went down to Buffalo NY to see Megadeth, Testament and Exodus play at the…
KEVI METAL’S RIMSHOTS v.2 #3
The music world is filled with similar smoke and mirrors acts. We’re told over and over and over again that so-and-so’s new album is the one that’ll re-define the genre. How many times have you heard in the last couple years that this-and-that’s “stunning” comeback album is “highly anticipated” and their best yet? Better than Bonded by Blood? Not bloody likely! The lies haven’t stop piling up since the music industry released its ad campaign for Elvis’ second record and this month’s Rimshots lifts the veil, cuts through the crap and saves you some money and/or hard drive space.
Woods Of Ypres – W4: The Green Album
W4: The Green Album is a difficult journey. There is a great deal of darkness, and there are certainly wolves (and worse) in these particular Woods. But, as a listener, you are never without a guide. However difficult and painful it may be, this was David Gold’s journey before it was yours, and it is going to hurt him a lot more than it hurts you.
Tom Gabriel Fischer: The Hellbound Interview Part Two
Hellbound’s two-part interview with Celtic Frost and Triptykon founder Tom Gabriel Fischer continues. Today, Fischer talks about his signature guitar sound; composing several tracks on the new album; his relationship with Martin Eric Ain and what will be included in Triptykon’s set list.
When you were working on Triptykon’s debut what was
Skitliv – Skandinavisk Misantropi
If Skandinavisk Misantropi translates to Scandinavain Misanthropy, does that mean that Skitliv has hatred towards their own kind, or does it portray the hatred Scandinavians have towards the human race in general? This album presents a number of considerably solemn questions as it evokes the feeling of grim dissatisfaction.
Tom Gabriel Fischer of Triptykon: the Hellbound Interview
`I didn’t just leave Celtic Frost in the heat of the moment. It took an immeasurable amount of personal problems for me to walk out of my own band. I was the main songwriter in Celtic Frost. We worked for so many years to achieve the status that we only achieved at the very end. It was difficult to let that go on every level.`
Justin M. Norton interviews metal mastermind Thomas Gabriel Fischer about his new outfit Triptykon and the incidents surrounding its formation and the break up of Celtic Frost
Bison BC – Dark Ages
A lot of bands attempting to pull off the same thing simply wind up sounding too eclectic to get anything of substance across. But Dark Ages, varied though it is in influence, is still a focused and precise monster, and it’s likely to be another one of those records that will wind up on many a Best-Of list come year’s end.
Cancer Bats – Bears, Mayors, Scraps & Bones
With a swinging and universally mean attack, Cancer Bats set fire to much of their own past as well as a significant number of the bands that would pretend to be their peers as they find the best possible middle ground between old school hardcore (like Black Flag) and Seventies/Eighties-era metal (think Judas Priest), and throw in something that loosely resembles the raw energy of skate punk for good measure.