An Autumn For Crippled Children – Lost
Overall, Lost should be a stellar album but ultimately it asks much more of the listener than it delivers. Here’s hoping for a more dynamic sophomore release.
Overall, Lost should be a stellar album but ultimately it asks much more of the listener than it delivers. Here’s hoping for a more dynamic sophomore release.
The answer to whether or not a listener is satisfied by We Are The Void will boil down to individual taste; some will find it phenomenal and some will find the offering paltry and mawkish.
For the first time in a great many shows, I actually sat down during a performance. I sat not because I was bored, not even because I was tired. I sat because the energy it took to operate my legs felt like energy I could be directing towards my ears. I sat on a table top with my eyes closed, rocking back and forth unconsciously, entirely consumed.
Natalie Zed reviews the April 23rd Toronto debut of France’s Alcest. Also sharing the bill were Quebec black metallers Monarque and Thantifaxath.
rush The Enemy doesn’t just strive to be a part of the thrash metal resurgence. It’s comprised of dudes who eat, sleep and shit so much thrash, their assholes are rusting. Loud, aggressive, overbearing, sincere and full of great shred, Krush The Enemy is compelling from start to finish; a new high watermark in the ongoing saga of thrash.
“Our band’s name has closed many doors for bigger success,” admit Sakis. “Some of our shows have been canceled, some of the distributors didn’t accept our albums due to our name, we’ve even received death threats…but we keep on rocking with this song. We keep on punching conservative ideas and opening new paths in the name of freedom. And do you know something? I think that it’s better that we didn’t get more success and become commercial! That would mean that we would have betrayed our roots and betrayed ourselves…and this is a vanity.”
Metal George Pacheco in conversation with Rotting Christ frontman Sakis Tolis about their first twenty years as Greece’s most well-known black metal band.
I took these photos of Eluveitie on Wednesday night in Toronto when they played with Amon Amarth and Holy Grail. I’ll post pictures of the other two bands next week. Hope you enjoy these.
For those who are not familiar with The Pineapple Thief, this UK band is classified as a crossover progressive rock band. The four piece band’s most recent release is 3000 days, which is a double CD compilation which collects tracks off of The Pineapple Thief’s first few albums
Listening to Talbot is like having your body hurtled into farthest godforsaken space, and then having it violently sucked back in, smashed down into the Earth to molecular level.
There’s something about that hard-charging yet trancelike music, that psychedelic lyrical imagery, the occasional acoustic forays, and of course, those unmistakable swirls of oscillating electronic tones that sound wickedly cool on record and practically make you dizzy when heard at ear-bleed volume live; there’s something there to appeal to the freak folkers, the indie rockers, the prog rock nerds, and metalheads alike. And when you listen to Hawkwind’s seminal 1971-’75 period, including such albums as In Search of Space, Doremi Fasol Latido, Hall of the Mountain Grill, and the timeless Space Ritual, you can’t help but think that this stuff would sound absolutely amazing when reworked in the metal milieu.
This reissue of Raw Power is satisfying because, unlike so many of the more “adventurous” re-workings of the material, this release stays true to the original; even leaving some of the noticeable flaws (like the clipping that might be from volume or from a little bit of tape left mangled in “Your Pretty Face Is Going To Hell” intact) in place to imply the rough, warts-and-all initial recording process.