Sean Palmerston

Sean is the founder/publisher of Hellbound.ca; he has also written about metal for Exclaim!, Metal Maniacs, Roadburn, Unrestrained! and Vice.

Alcest/ Monarque/ Thantifaxath @ Hard Luck Bar, Toronto ON, April 23, 2010

For the first time in a great many shows, I actually sat down during a performance. I sat not because I was bored, not even because I was tired. I sat because the energy it took to operate my legs felt like energy I could be directing towards my ears. I sat on a table top with my eyes closed, rocking back and forth unconsciously, entirely consumed.

Natalie Zed reviews the April 23rd Toronto debut of France’s Alcest. Also sharing the bill were Quebec black metallers Monarque and Thantifaxath.

Warbeast – Krush The Enemy

rush The Enemy doesn’t just strive to be a part of the thrash metal resurgence. It’s comprised of dudes who eat, sleep and shit so much thrash, their assholes are rusting. Loud, aggressive, overbearing, sincere and full of great shred, Krush The Enemy is compelling from start to finish; a new high watermark in the ongoing saga of thrash.

Rotting Christ: Discussing 20 Years Of Cult

“Our band’s name has closed many doors for bigger success,” admit Sakis. “Some of our shows have been canceled, some of the distributors didn’t accept our albums due to our name, we’ve even received death threats…but we keep on rocking with this song. We keep on punching conservative ideas and opening new paths in the name of freedom. And do you know something? I think that it’s better that we didn’t get more success and become commercial! That would mean that we would have betrayed our roots and betrayed ourselves…and this is a vanity.”

Metal George Pacheco in conversation with Rotting Christ frontman Sakis Tolis about their first twenty years as Greece’s most well-known black metal band.

The Pineapple Thief – 3000 Days

For those who are not familiar with The Pineapple Thief, this UK band is classified as a crossover progressive rock band. The four piece band’s most recent release is 3000 days, which is a double CD compilation which collects tracks off of The Pineapple Thief’s first few albums

Talbot – EOS

Listening to Talbot is like having your body hurtled into farthest godforsaken space, and then having it violently sucked back in, smashed down into the Earth to molecular level.

Harvestman/US Christmas/Minsk: Hawkwind Triad

There’s something about that hard-charging yet trancelike music, that psychedelic lyrical imagery, the occasional acoustic forays, and of course, those unmistakable swirls of oscillating electronic tones that sound wickedly cool on record and practically make you dizzy when heard at ear-bleed volume live; there’s something there to appeal to the freak folkers, the indie rockers, the prog rock nerds, and metalheads alike. And when you listen to Hawkwind’s seminal 1971-’75 period, including such albums as In Search of Space, Doremi Fasol Latido, Hall of the Mountain Grill, and the timeless Space Ritual, you can’t help but think that this stuff would sound absolutely amazing when reworked in the metal milieu.

Iggy And The Stooges – Raw Power (2010 Legacy Edition)

This reissue of Raw Power is satisfying because, unlike so many of the more “adventurous” re-workings of the material, this release stays true to the original; even leaving some of the noticeable flaws (like the clipping that might be from volume or from a little bit of tape left mangled in “Your Pretty Face Is Going To Hell” intact) in place to imply the rough, warts-and-all initial recording process.