FOR THE LOVE OF METAL
Well, unlike Vancouver 2010, I can’t truly say that I’m sick of our national anthem by now–Canada’s only won one gold medal this time around. But that said, while watching some exciting Olympic action, I still prefer to have the following blasting in the background…
I first heard about Wino doing an August acoustic tour at least a couple months ago; twas announced well in advance. Turns out this tour, which kicks off tonite in Seaside, CA, hits Cleveland on a Saturday nite, and even has a Buffalo date(!), albeit he won’t be crossing the border. I haven’t been the biggest fan of his unplugged stuff, nor can I say I’m digging this recent trend of sludge/doom singers (Scott Kelly, Mike Scheidt et al) picking up acoustic guitars, but man, Wino is a legend, and I was definitely contemplating heading down to the States to see him–until recently, when a much more momentous occasion made me change my mind…
Last summer, when I first heard that YOB was playing some dance club at Church and Adelaide, I must admit, I had my reservations about the Courthouse. But that changed almost as soon as I walked into the place–or perhaps, more accurately, once local legends Sons of OTIS took the stage and I could feel the bass hit my face. Last nite’s HOMTGOS tour only served as confirmation–this is probably the best place in town to catch a doom metal gig, though the going rate seems to be about one a year here…
Truth be told, Seventh Son of a Seventh Son isn’t my favourite Iron Maiden album, by any stretch. More synth-heavy and progressive-sounding than their previous releases, even singles such as “Can I Play With Madness” or “The Evil That Men Do” fall flat compared to the likes of “2 Minutes to Midnight” and “The Trooper.” But does that mean I’m skipping their Seventh-Son-heavy summer tour? Awwww hell no!
Like I said, there have been countless live albums recorded since ’75–but they’ve been mainly used as a means to squeeze more money out of a loyal fanbase when a certain band doesn’t have enough material to make it back into the studio. Rarely have we seen another band use a live recording to launch their career… until tonite.
Alas, while they’re neither classic rockers nor 80’s hair band royalty, Corrosion of Conformity has been going strong now since 1981. And I gotta say, the three founding members, they’ve still got it–and then some!
Post-ambient shoegaze drone doom duo (for lack of a better term) Nadja make their triumphant return to Toronto at The Garrison this Sunday. This is literally the only NXNE gig I’m attending this year. Yes, it’s that worthwhile.
Last nite was the first time I’d been to the Bovine Sex Club in nearly 10 months. I can’t say I really missed the…
Witch Mountain plays the Hard Luck Bar June 13th with Blood Ceremony and Castle. Consider this your two weeks’ notice!
Last weekend, I was in Ottawa for the All That Is Heavy II doomfest, a six-band shindig featuring Blood Ceremony, Iron Man and Revelation, to name a few. This was the second notable doom-metal festival in Canada over the past few years, after Montreal is Doomed in December 2010, which happened to be Pagan Altar’s North American debut. (That was quite the nite for me, too!) So, when are we gonna see one of these things in Toronto? Don’t hold your breath…