Krallice: Dimensional Bleedthrough

Print
 
By Jonathan Smith
Dimensional Bleedthrough is the sophomore effort from New York’s Krallice. Like the band’s debut, the record is generally steeped in the more recent “avant-garde” or “post-Black Metal” sound, but it offers enough of the little details that are recognizably the group’s own. Colin Marston and Mick Barr’s two guitars are paired side-by-side with one another, producing a “layered” sound that is front-and-center in the mix. Barr’s vocals, on the other hand, sound tinny and distant despite the force of his screams. A similar effect is heard with regard to Lev Weinstein’s drums. All of this leads to an album that sounds as though a great deal of production went into making it sound unproduced. The end result is the “thin” sound of earlier Norwegian black metal bands mixed with “fatter” lead guitars. The title track of Dimensional Bleedthrough is also the opening track, and the first few minutes are filled fast and loose tremolo riffs that change direction with little notice. However, the musical variation is never allowed to escape a larger structure, and by the climax of the eleven minute track Krallice has brought all the sounds together in a rhythmic and thundering march toward the song’s end. It definitely sounds as though the band put a lot of effort into carefully controlling how each section of the song sounds, right down to levels of distortion at different moments. These moments act as signposts, alerting the listener to a change in a track’s direction. For the most part it all works, though Dimensional Bleedthrough likely wouldn’t convince a Krallice skeptic. One of the drawbacks of the record’s sound is that it can sound repetitive, and with more than a few tracks starting with screeching feedback, individual songs don’t stand out as well as they could. Clocking in at almost eighty minutes, the album feels like a long slog at times. However, hearing the many moments that Krallice hit their stride and all of the elements come together makes Dimensional Bleedthrough worth the time that one puts into it.
(Profound Lore)

review75

Comments

3 responses to “Krallice: Dimensional Bleedthrough”

  1. Adrien Avatar
    Adrien

    I think repetition is the key to Krallice’s sound. Create a trancelike pattern until it transcends simple black metal. It’s a grower, that’s for sure, but really does feel more rewarding the longer you let it sink in.

  2. Jon Avatar
    Jon

    I think you’re right. What I find so interesting about Krallice is that they seem to be so transparent about creating that pattern. When it works, it works!

  3. Oldest Avatar
    Oldest

    listen to Intraum and then try and tell me the drums sound ‘thin’

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.